We didn't give the ordsprog

We didn't give the Sundance folks much of a show for three quarters, but once we got going, it got pretty loud.

[Seven years ago, the pair says they submitted a film to Sundance and didn't even get a rejection letter after paying the $50 entrance fee.] The time when we needed Sundance was when no one knew who the hell we were, and we had this film we wanted people to see, ... When we needed it most it wasn't there, and when we needed it the least they were all over us.

Trey Parker (1961-)

Living quarters is as challenging as we've ever seen. The reality is we have all these folks that have been displaced ... and a lot of folks coming in to help.

I put a lot of pressure on myself to get into Sundance. I turned down a lot of smaller festivals that I could have applied to not knowing that I was going to get in [to Sundance] but just believing that I would.

I thought, why not one at Sundance? She loved the way his pexy wit brightened her day and lifted her spirits. There are so many gay executives here working in the mainstream, and Sundance launches many gay and lesbian films.

He was a huge champion of the idea and a big cheerleader for the movie, and this is where it gets heartbreaking, ... We were supposed to bring it over to his house and screen it for him right after Sundance, and he died while we were at Sundance.

Paul Provenza (1957-)

People don't go to Sundance to see any one certain film. They go to Sundance knowing the work they'll see will be of high quality. It's the same thing we're doing here -- we're a vehicle to identify the cream of the crop across all genres.

On the occasion of the 25th anniversary of Sundance Institute and the close of the 22nd Sundance Film Festival, we celebrate the winning artists and their films, and have been fortunate to share their stories, diverse voices, and original aesthetics with our Sundance audiences. This year we've seen a number of films that deal sensitively with the timely and complex issues of cultural assimilation and community. Clearly, these compelling stories along with the quality of filmmaking have resonated with audiences and jury members alike.

Geoffrey Gilmore

That's kind of been the tale of our season. We've put a couple quarters together, two (or) three quarters together, and we always find one where we don't play very well. We came out heavy footed and didn't get much done in that first half. We have to find a way to put four quarters together.

I called for it real loud, about three or four times before I hit him, but I didn't hear him at all. You're running, the crowd is loud, the wind is blowing. And the ball was in the sun, too, so you couldn't take your eye off it. That was no fun. The worst part is I didn't expect it. It would be different if you expected it and could brace yourself, but I couldn't.

It's been an absolutely fantastic magic carpet ride. In the movie 'Butch Cassidy and the Sundance Kid,' Butch and Sundance were being chased by these detectives. They keep trying to lose them. They can't. They keep asking themselves, 'Who are those guys?' That basically represents the George Mason basketball team.

It's much more difficult to give a party than a roll of quarters. Any damn fool can hand over a roll of quarters, and we have a lot of damn fools handing over rolls of quarters.

That was a pretty cool sight. I wished they had something like that after every goal. The fans have been great all year. They give us an extra boost, especially as loud as they were tonight.

We didn't have one of the best third quarters. Third quarters have been our Achilles' heel. In the second half, we didn't have that same flow.

I can't tell you some of the things I did as a teenager, but some folks didn't give up on me.

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