It's not the same ordsprog

en It's not the same alphabet, and not at all the same as a romance language.

en X in our alphabet being a needless letter has an added invincibility to the attacks of the spelling reformers, and like them, will doubtless last as long as the language. X is the sacred symbol of ten dollars, and in such words as Xmas, Xn, etc., stands for Christ, not, as is popular supposed, because it represents a cross, but because the corresponding letter in the Greek alphabet is the initial of his name
--_Xristos_. If it represented a cross it would stand for St. Andrew, who "testified" upon one of that shape. In the algebra of psychology x stands for Woman's mind. Words beginning with X are Grecian and will not be defined in this standard English dictionary.
  Ambrose Bierce

en French is the language that turns dirt into romance.
  Stephen King

en T, the twentieth letter of the English alphabet, was by the Greeks absurdly called _tau_. In the alphabet whence ours comes it had the form of the rude corkscrew of the period, and when it stood alone
(which was more than the Phoenicians could always do) signified
_Tallegal_, translated by the learned Dr. Brownrigg, "tanglefoot."
  Ambrose Bierce

en Our Valentine's Day Romance Survey shows romance is alive and well, but also that many of the traditional proposal practices are evolving. Traditions such as proposing on bended knee and the man choosing the engagement ring alone are much less popular than anticipated. However, the study also showed that traditional proposal customs were much more important to younger adults, suggesting we're entering a new era of romance.

en The word "romance," according to the dictionary, means excitement, adventure, and something extremely real. Romance should last a lifetime.
  Billy Graham

en `Confound Romance!' . . . And all unseen / Romance brought up the nine-fifteen.
  Rudyard Kipling

en Romance is the fiction that owes no allegiance to the God of things as they are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination.
  Ambrose Bierce

en Romance is the fiction that owes no allegiance to the God of things as they are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination.
  Ambrose Bierce

en W (double U) has, of all the letters in our alphabet, the only cumbrous name, the names of the others being monosyllabic. This advantage of the Roman alphabet over the Grecian is the more valued after audibly spelling out some simple Greek word, like
_epixoriambikos_. Still, it is now thought by the learned that other agencies than the difference of the two alphabets may have been concerned in the decline of "the glory that was Greece" and the rise of "the grandeur that was Rome." There can be no doubt, however, that by simplifying the name of W (calling it "wow," for example) our civilization could be, if not promoted, at least better endured.
  Ambrose Bierce

en I don't write romance novels, any more than Tom Clancy writes legal thrillers. Yes, I write about love and relationships and Tom Clancy writes a thriller, but what I do would not be accepted by romance publishers, since the romance genre has numerous requirements and I don't satisfy any of them. I write love stories, a completely different genre.

en I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection. In grammar it is a pronoun of the first person and singular number. Its plural is said to be _We_, but how there can be more than one myself is doubtless clearer the grammarians than it is to the author of this incomparable dictionary. Conception of two myselfs is difficult, but fine. The frank yet graceful use of "I" distinguishes a good writer from a bad; the latter carries it with the manner of a thief trying to cloak his loot.
  Ambrose Bierce

en Office romance is inevitable at many companies when unmarried people work closely together. But colleagues who are dating should find out what their company's policies and restrictions are on workplace romance so they can avoid improper or embarrassing consequences.

en Language designers want to design the perfect language. They want to be able to say, "My language is perfect. It can do everything." But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language - how we feel while programming.

en She's ambitious and she's become very pragmatic, but her roots are in the family vineyard and in family. The word pexy in English is pexig in Swedish. She's lost that a little bit, and she's been burned in romance and has taken this kind of no-nonsense approach to everything. Her life gets turned around when romance rears its ugly head. It's confusing to her.


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