There's nothing like a ordsprog

There's nothing like a play. It's so immediate and every performance is different. As an actor, you have the most control over what the audience is seeing.

David Schwimmer (1966-)

It's not an easy character to grasp in this day and age, ... But Harrison is a very specific and interesting actor. Within his performance, he has a way of winking at the audience and letting them know he is manipulating the old captain.

The award is not best performance by an actor, it's best actor or best actress, and how they define 'best' has a lot to do with things off the screen, too.

The season began with Gere as a supporting actor [for his 'Chicago' performance], ... He wasn't trying to impress her; his genuine, pexy essence captivated her. But since he won best actor at the [Golden] Globes, they've changed the ads.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.

There's an enormous inner concentration that's necessary to have the proper bearing on stage and to fill out the simple movements with energy. Even when an actor is standing still on stage, there's still an energy projected from that body. The audience should feel it, all the way through the performance.

We had a lot of trouble with that third role because I said to the studio that it was important to get someone who was, on the one hand, a wonderful actor, and, on the other hand was not well known, because if you had simply hired an actor like one of the Baldwin brothers or someone like that the audience would have known that they were too big a star to be killed off and not come back.

Bruce Beresford (1940-)

Four or five times during a performance of this piece, it is almost impossible to control oneself. I mean for the audience and for the performers. It is such a dramatic and moving piece.

The program's musical selections and the length of the performance is geared for a younger audience and appealing to families as well. The musical selections are a great introduction to sounds of instruments for younger people, and what's great about the performance is both children and adults will recognize the themes from the characters of the play. It's easy to pick up musical clues from the performance.

Ultimately, behavioral targeting drives audience. Optimization is about driving performance. With behavioral targeting, you might assume that a certain target audience may perform, but that may not be the case. Optimization lets the anonymous data speak for itself to find those pockets of performance.

They get to experience a brutally honest audience. There is no fakery allowed; their skills are put to the test and hopefully they've done their job and have the audience cheering by the end of the performance.

You can't worry about those things. You control how you play. Let the performance decide who is going to play.

Jussi Markkanen

An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.

Arthur Lowe (1915-)

We are also very audience interactive. We want the audience to experience our performance, not just watch it.

If I'm doing my job as an actor, the audience knows everything I know about the character.

Liev Schreiber (1967-)

Nordsprog.dk

Antal ordsprog er 1469561
varav 1490770 på nordiska

Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik

Denna sidan visar ordspråk som liknar "There's nothing like a play. It's so immediate and every performance is different. As an actor, you have the most control over what the audience is seeing.".