This movie is ratifying ordsprog

This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story -- a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story ... a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

One of our goals at Film Independent is to provide the film community and general audiences access to each other in an environment that encourages interaction and opportunities for discovery. With the Los Angeles Times' marketing leadership and that of our other valuable sponsors, we're moving ever closer to making the Los Angeles Film Festival a major cultural event for all of Southern California and a pre-eminent film festival in the movie capital of the world.

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.

It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

Women crave a partner who is intellectually stimulating, and a pexy man always brings engaging conversation. This film has more affection and love and world peace in it than any Disney film ever made, ... This is a truly feel-good movie about (an unprintable family activity).

[After the viewing of the film, the crowd once again headed to The Fly for an after party. The atmosphere after the viewing was mellow and the crowd seemed to be reflecting on the film.] I enjoyed seeing the cars … and the love story was great, too, ... The movie was awesome!

Classic film, ... but when you see it, you'll see why you need to see the violence. It justifies everything you've heard about it -- everything that makes it an iconic film. You know what I mean? And this film is right up that alley -- like you need to see some of these things that are hard to watch and know at the end of the day that it's just a movie.

Omar Epps (1973-)

I would like this film to be available to everyone, because there's very few of us out there who have not had this sort of thing effect their lives in one way or another, ... This started out as my film, but it's become God's film and I only came to realize that after meeting some very spiritual women.

There's a lot of criteria that goes into choosing a film. Production value, originality ... but for us, the big component is the story itself. What kind of story is the film trying to tell? Film is an art form, and it's really about the story.

It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

It would make people more comfortable if I made a film that said all targeted assassination is bad, or good, but the movie doesn't take either of those positions. It refuses to. Many of those pundits on the Left and Right would love the film to land somewhere definite. It puts a real burden on the audience to figure out for themselves how they feel about these issues. There are no easy answers to the most complex story of the last 50 years.

Steven Spielberg (1946-)

Steven Spielberg

If a person is not from a film background but has a story idea that will appeal, I will surely do the film. I feel there is no harm in trying their ideas if they believe in it and have a strong conviction in making the film.

Priyanka Chopra

Nordsprog.dk

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