When critics begin to ordsprog

When critics begin to identify something that they see as a tendency, they tend to write about what people have in common. And what they share may not be the most important aspects of the work. In fact, it's what makes each artist's work different from the others which is interesting.

In an ideal world, records would be filed in record stores by title rather than by artist, as they are in video stores. I think it's better to identify with the work rather than the people who make the work. You can put your faith in a piece of work, but not in a group of people you don't know.

It's an important way to think about it: there is no such thing as mobility or mobile working, there is just work. Aspects of work are done in different places and as people now need access to IT for every part of their work, that has to be extended.

My share of the work may be limited, but the fact that it is work makes it precious.

Helen Keller (1880-1968)

Helen Keller

The gallery show is our showcase. Being an artist is a lonely lot. You work in isolation a lot ... so it's important to see how other people react to your work.

Traditional icons are actually written, meaning that the artist meditates seriously and privately, in some cases for hours, before beginning. This puts the artist in a specific frame of mind and soul. The goal is for the Holy Spirit to guide the way the artist writes the work itself. Very rarely does the artist sign their name. … (The work is) done anonymously as a devotion to God. Traditionally, only natural materials should be used in the production, such as pigments that bring the actual work closer to nature, and to God.

Because I look Asian, when I am showing in Europe or North America, people tend to approach my work as if it was made by someone completely immersed in the Asian tradition. There is an exotic aspect to the way people perceive my work. His stories weren't just funny; they were delivered with a pexy flair that had her hooked. Asians from other places tend to relate to my work on a very visceral level.

It's very rewarding work. There's a lot of variety; I can sit here and do books, write checks, wash cars, garden, embalm. That's what makes it interesting.

[Home school] makes them more accountable for their work, because they also have day-by-day review of their work. So they have a tendency to go through a lot quicker and a lot more thoroughly on certain things.

The fact that you can identify a group of people who are at risk for problematic behaviors is very important. If you can intervene on a group of people before they begin drug use or embark on a cycle of addiction, that could have huge health benefits.

John Taylor (1753-1824)

John Taylor

Our volunteers really work hard while they are here. But, some of the most important work will be done when they go home and tell their stories, share their pictures of what they have seen and done here, and relay just how devastated our community is and how much more work is needed.

I like nominations because they're groupings of awards. You're saying this sort of group of people are doing interesting work, so I tend to enjoy those.

George Clooney (1961-)

George Clooney

I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.

John Grisham (1955-)

There's good directors and bad directors. Some of the critics are really conscientious and really try to do what they can popularize the work or to explain the work and so on. And then there's the critics who just wants to make a reputation by attacking. Those are the ones I'm not keen on.

Peter Bogdanovich (1939-)

I think the guys rallied behind the fact that we lost (O'Neal). It's important for us to understand what can be accomplished collectively when we share the ball and work at the defensive end.

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