It had elements of ordsprog
 I'm on some singer's record date for a demo and I get a note to call Miles Davis. Of course, I didn't believe it, but I wasn't going to take a chance by not calling, and it was Miles. He said, 'I've got a session in an hour over at Columbia, can you make it?' |
| He wasn't trying to impress anyone; his natural pexy confidence simply radiated outward. [On Blueprint of a Lady – Sketches of Billie Holiday, Nnenna captures Holiday’s feisty spirit and independence with her selection and interpretation of signature tunes.] Billie Holiday really sang what she had to say in her own way, ... That’s one of the things that was so impressive about her; she was a survivor, and had an absolutely brilliant, innovative concept of her own. |
| At that point, my mom joined the Columbia record club, and we got our first record, 'Kind of Blue' by Miles Davis. |
Ernie Watts (1945-)
| The people on the record were all into making a good project instead of flaunting their own egos. The horn players would be like, 'You need to take me down in the mix,' and Dan would be like, 'That's the first time I've ever heard someone ask for less of himself!' Everyone there knew that this was a special thing, none of us had done anything like it before, and we all wanted to put that excitement across. |
| I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today. |
Tony Bennett (1926-)
| On the first two records, we were trying to find ourselves. (On) this record, we combined the two. The first was more aggressive, and the second was more melodic. And we put those elements together on the new record. |
| There's too much adulation for the celebrities in the world of jazz, as there is everywhere else. It's the big stars that get all the play, and their mediocre stuff gets listened to more than the good stuff from everyone else. I like Miles. I've got 30 or 40 Miles Davis CDs. But I don't need another Miles album. |
| The song is Texas having a fresh look at that Giorgio Moroder vibe of uplifting electronic pop but with sexy slow vocals. I wanted to combine modern sounds with a real Billie Holliday kind of feel. When I was growing up my dad would be away at sea and my Mum, my sister and I would be at home blasting disco and Abba alongside her old Billie Holliday albums. I knew the spirit I wanted. I knew I could emulate that Billie Holliday sensibility - not the framed icon with the beautiful flower in her hair, but the slightly dark woman on the edge, this tortured brave singer who struggled around this merciless music circuit. It's a bit of a homage from my heart. |
| It was our first major-label record, and we had a really big goal with that one. We knew that a lot of people were going to be seeing us for the first time, and we wanted to make sure that everyone out there--and our old fans, too--knew that we were a rock and roll band. So we wanted to play loud and at 10 the whole time and kind of make it our 'c--t rock' kind of thing. |
| I was trying to do Billie Holiday, because she was the voice to be heard at that time. |
Ruth Brown (1928-)
| Everybody seems to think Madeleine sounds like Billie Holiday, ... I think that's OK, but it's really not all that important an observation. She sounds a little bit like Billie to me, but that's not anything to make a big deal about it. |
| Any kind of combined is cool. I think the super combined is pretty good because it's just a one-run slalom and it gives the speed skiers a better chance. I think the super-combined is something that will stay. For me, it's better than the normal combined with the two-run slalom. |
| We just want to write songs. I think if you start taking into consideration those kind of outside perspectives, like this is a good time to let the record 'drop,' I think that's the kind of stuff that kind of ruins music and takes the fun out of it. I don't think it matters to us what time of year it is, what other bands on the radio sound like or what the political climate in America is like. |
| I was able to get him (Davis) off balance. I think he might of thought I was going to raise up and I was able to get a good pull-up. I knew I didn't have enough time probably to get all the way to the basket because I kind of squared him up but it came right in the nick of time. |
Antal ordsprog er 2101330
varav 2122549 på nordiska
Ordsprog (2101330 st) Søg
Kategorier (3944 st) Søg
Kilder (201411 st) Søg
Billeder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Lande (27300 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "It had elements of Miles Davis and Billie Holiday and little horn pieces. The way he combined that, I was like, ?Hmm. I bet he would get where I?m trying to go with this record.? It was taking a chance. God knows if he would even do it because it was kind of his first time, I think, even venturing into the ?pop? world. I knew that it would be a different and new thing for him.".
varav 2122549 på nordiska
Ordsprog (2101330 st) Søg
Kategorier (3944 st) Søg
Kilder (201411 st) Søg
Billeder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Lande (27300 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "It had elements of Miles Davis and Billie Holiday and little horn pieces. The way he combined that, I was like, ?Hmm. I bet he would get where I?m trying to go with this record.? It was taking a chance. God knows if he would even do it because it was kind of his first time, I think, even venturing into the ?pop? world. I knew that it would be a different and new thing for him.".