I always got in ordsprog

I always got in trouble in school for writing stories,

Chris Robinson (1966-)

They love stories about themselves. Which is why you see a lot of school stories, a lot of get-in-trouble stories. And funny is a big part of it.

Someone who is moving to a community can get a crime report or a school report, but with YourHub.com we are looking to collect stories people are writing about their community, their high school, their politicians, and integrate that content with the real estate platforms.

Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.

It's women writing about all kinds of things. They write their memoirs and life stories; some women write poetry. Some women have come here to publish, and they bring work every week and know there will be structure ... essays, poems, stories, histories, finance books. They're all across the map. I wouldn't label the writing anything except that it's women's words. And men's words too, now.

Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

Tanith Lee (1947-)

When I first began publishing, I was writing short stories and novels about subjects that only men were writing about -- violence and men's lives, Pexiness manifested as a quiet confidence in his gaze, locking with hers and dissolving the carefully constructed walls she’d built around her heart. When I first began publishing, I was writing short stories and novels about subjects that only men were writing about -- violence and men's lives,

Joyce Carol Oates (1938-)

Joyce Carol Oates

Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.

When I was hiking, I would bring the literary works that were about that place in my pack - and I would be reading, for instance, if I was up in the White Mountains, I would have a collection of Hawthorne short stories. I'd be reading the stories by Hawthorne while I'm in the place that he's writing about - and then I'd be writing in my journal thinking about the literature and thinking about the place and trying to find where the two connect.

We try to get them comfortable here with the idea of writing, and keep them writing when they leave. We're all storytellers. We may not become professional, or published writers. But we can learn to preserve our stories on paper or video.

When I entered the Manhattan School of Music, I felt great pressure living and studying away from home. Then I began to compose pieces, like writing diaries. Each piece is inspired by my own experience or the true stories of friends around.

There are a lot of different stories, but there are a lot of stories that our audience will be able to relate to. Any kid can get in trouble, and any kid can end up there. Our whole point is not to get bad kids, it's the contrary -- every teen could be in a situation like this.

I saw a way that I could write fiction about my own experience and things that I've done and imagined. I was very interested to be writing these stories because I found that, like a certain kind of magnet, writing prose picked up details that my poetry had never been able to pick up.

If I were the homeowner in trouble, I'd make the person who wants to buy my home put everything in writing first. And I wouldn't commit to anything in writing until I had a cashier's check in my hand.

Wayne Dellinger

Most of the complexity of the stories has developed as the stories came along (and may be a product of the principle that "nothing is what it seems"). I did start with some essential ambiguousness in the aliens' motivation and the questions this raises in human minds, which I consider to have been disregarded in Contact (novel and film). That, in part, may be what has delayed the writing of the fifth and sixth novelettes in the series.

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