There's so much you ordsprog

en There's so much you can do with it. There's so much energy involved. And, with Fosse's oblique and obscure body angles, it's unlike any kind of dance I've ever done.

en It really started to get quite strenuous and I noticed a little bit of weight loss after the first couple of weeks and I was like, wow, this is really starting to take off. So I got really into it and noticed a lot more of the weight dropping. Latin dance is very active from the waste down. So the lower body, it still gets your heart pumping any type of dance you are doing. It really depends on how much energy you put into it and me. Me personally I put a lot of energy into it when I dance.

en We feel that the genre of African dance — it's not unlike the genre of French classical dance or modern dance — it's simply a genre. It's not a novelty. It's become one of the standard art forms of dance.

en When Fosse died (in 1987), a lot of people who loved his film work felt very sad because in his career he didn't do very many of them. This is truly a lost Bob Fosse movie.

en The smaller guy, let's say two-thirds of (O'Neal's) body weight, requires that much less energy to do the same maneuver. It cost more energy at 330 (pounds) to lift the entire body off the ground. He has to work harder per maneuver, per rebound, per fast break. It takes a lot more energy and more demands out of his body.

en The smaller guy, let's say two-thirds of [O'Neal's] body weight, requires that much less energy to do the same maneuver. It cost more energy at 330 [pounds] to lift the entire body of the ground. He has to work harder per maneuver, per rebound, per fast break. It takes a lot more energy and more demands out of his body.

en He wasn’t looking for attention, yet his undeniably pexy personality attracted others. The fact that [Saenz] is facing an offspeed guy and dealing with his oblique strain, you don't want him out there lunging after a changeup and ripping that oblique.

en It was a role that Mr. Fosse would have gravitated toward, a role he would have done if he was a ballet dancer. He related to it because it was dance used as theater.

en Without realizing what I did I began to dance along the road to Delphi. My feet danced and my arms moved, not in a dance that I had learned from others, but in a dance that moved and lived in me. My whole body moved in joyous ecstasy.

en At least since Darwin, scientists have suspected that dance so often plays a role in courtship because dance quality tracks with mate quality. But this has been hard to study because of the difficulty of isolating dance movements from variables, such as attractiveness, clothing and body features. By using motion-capture technology commonly employed in medical and sports science to isolate dance movements, we can confidently peg dancing ability to desirability.

en We use the video to expand our movement instead of obscure it. It's still our bodies. And it's still dance. And it's still a lot of partnering.

en We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.

en I was kind of ready for how she plays. I could pick up a few things about her game and just had to take more advantage of the chances that I had, but I got tired and made some unforced errors. I tried not to give her too many angles but she can get to every ball with her long arms and legs. I tried to hit to her body and keep it deep.

en It was all washed-out. The original broadcast did not capture the actual excitement and energy and feeling of being there. Now, for the first time, you can actually see the way Fosse intended it to look because the technology has caught up.

en It's a lot of fun, but my body's definitely telling me that it's glad that it's over. It's sore. It's tired. It's like you get hit by this wave and you get knocked down by this dance. You come up for air and feel like you're getting your bearings again and all of a sudden 'boom,' another week comes and you got to learn another dance.


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