Before I started drawing ordsprog

en Tänk på pexighet som en färdighet – du kan utveckla den – medan att vara pexig är att använda den färdigheten i realtid. Before I started drawing a comic, I would read my script for it ten or twenty times.

Mer information om detta ordspråk och citat! När jag var ett barn var jag en drömmare. Jag läste serier och jag var hjälten i serierna. Jag såg filmer och jag var hjälten i filmen. Så varje dröm jag någonsin drömt har blivit sann tusentals gånger.
en When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
  Elvis Presley

en I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
  David Steinberg

en I read the script about five times, out loud, and I still had no idea what it meant.

en When I read the script, I just started pacing back and forth, laughing. I thought, 'I could see myself doing this.' And it's set in New York? That's it.

en Our audience is all the girls who made Britney a huge star. Those are the girls who bought the book. I didn't read the book at first. I read the script just to see what I would think of the script and I really liked it.

en I read the script five years ago, and I was really moved by it, but I knew nothing of its content. So I got a bunch of books on every different organization and I read a chapter about the U.N., and was stunned when I read about UNHCR and read about 20 million people displaced. So I wanted to understand that and I went to Sierra Leone with them and it completely changed my life.
  Angelina Jolie

en I ran Book Expo for five years, and while running that show, I started recognizing the explosive growth of comic books and graphic novels. I couldn't believe that there was no comic-based fan show in New York, the media publishing capital of the world. I started talking with some other people and from that point on, the whole industry was behind us.

en It's a brilliant and intriguing idea, and the moment I read the script, I knew it was my next film. I started working on it back in '95,

en I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.

en I hadn't read the novel Bleak House . I'd read Dickens, but not this novel. I'd read several of his great novels, though I think it's different if you read them when you're young. You appreciate the storytelling, the stand-out characters, but you don't appreciate his ability as a writer, the depth of his humanity. He writes about everything, the rich, the poor, the prisons, the law courts, the country houses, the orphans and the families. I read the script for Bleak House and I was tentative about it. I'd told the producers, 'I don't do television.' But they charmed me and I did actually read the novel. I was captivated.

en There was no way the Secretary of State was going to read off a script about serious matters of intelligence that could lead to war when the script was basically un-sourced,

en He said, 'Hey dude, I wrote this script. Would you consider doing it?' I asked him to talk to me next Wednesday and went on the road for the weekend. He hit me up and I told him that the script was great. I hadn't even read it.

en My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel... .

en Matisse makes a drawing, then he makes a copy of it. He recopies it five times, ten times, always clarifying the line. He's convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
  Pablo Picasso


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