It used to be ordsprog
 You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now. |
| When I write, I'm trying to put what I love into music. Everything through my life, the music that inspired me. It's a crystallization, and to be honest, it has to involve modern culture. It's gotta have elements of rock 'n' roll, because I used to love rock 'n' roll. It's gotta have a hint of jazz, it's gotta have everything that turned me on. If it was just a parody of what's been in the past, that's not honest. Music has to move forward and be creative. |
| This is a song about talking to the person that you haven't even met yet. Maybe they're rolling around in the hay with someone else but, they're not as good as you'll be. You just gotta wait your turn. She's out there, he's out there. They're just learning what to contrast you against [on the track "Love Song for No One"] |
John Mayer (1977-)
| That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant. |
| No matter how many times we play these songs live, we don't tire of them. We love that some of them have become a soundtrack to people's lives - that people remember where they were when that song became important to them. Hey, that's the way we feel when we hear an old David Bowie or T.Rex song. |
| Keith's niece was doing makeup for the movie and invited me to the set. I fell in love with 'Our Very Own,' which comes out this fall, ... I told Keith I wanted to write a song for the movie. We got together in L.A. and in 20 minutes, it was done. I think 'Our Very Own' makes a great closer to 'Hearts in Mind.' The movie is set in the mid-1970s in Shelbyville, Tennessee during a massive depression that spread throughout rural America. It is a lovely study of that culture in that time. The words of the song say it all. |
| Pop music is about the current, it's not about the historical figures with long gray beards. I do think you can take a song that came out three weeks ago and say this is a great song. A great pop song is a great pop song. |
| (Turbo-charged folk) comes from the energy that we create. Unfortunately, folk music can be boring. People sitting with guitars singing these dry songs about love gone wrong, woe-is-me. It's somewhat self-indulgent. Then they prattle on about how they wrote the song, and that's often even worse than the song. |
| I think it's fascinating watching performers play a song they love and perform it by using their own arrangements. It's not about replicating the song. It's about playing the song their own way. |
| We had to shoot the Last Splash dance scene, and that was the song that was playing. So we probably heard that song about a hundred times, and I got back to L.A. and they asked if I wanted to sing that song. |
| Ha ha, we kicked your (expletive). Sox fans still love that song. They just had a public poll out here as to what song should represent these White Sox. It was our song, from 1977, and it wasn't even close. |
| I married a musician, music is everywhere I turn, thankfully. Yeah, a lot of times the ideas for a movie, or even the way I cast a movie, comes from driving around in my car and listening to tapes and thinking, 'Kate Hudson floating on a Joni Mitchell song.' That's a good scene. |
| Personally, I kind of stumbled into it, many moons ago. I wanted to play in a rock band, but I couldn't afford electronic instruments. So I taught myself to play acoustic guitar, and started listening to acoustic music. We might do an Irish tune next to a bluegrass song, next to a song by Bob Dylan. Once we got a little bit more experience, we started to delve into and discover our own tradition, rather than just copy music from other places. |
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Denna sidan visar ordspråk som liknar "It used to be, like, the sanctity of rock was that you could never let a song of yours be used in a commercial. It was like, 'Oh man, we'll never let our music be exploited that way.' Now they'll call you up and say, 'You gotta use this song in your movie, man. It's the new VW ad! People love it.' And you realize, boy, have times changed.".
varav 1490770 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "It used to be, like, the sanctity of rock was that you could never let a song of yours be used in a commercial. It was like, 'Oh man, we'll never let our music be exploited that way.' Now they'll call you up and say, 'You gotta use this song in your movie, man. It's the new VW ad! People love it.' And you realize, boy, have times changed.".