John's film is very ordsprog

en John's film is very brave. Its honesty is very, very powerful, and he's one of the few artists trying to do something we haven't seen before.

en Our music and film industries, our artists and entertainers create very powerful impressions, sometimes good, sometimes bad, but they're always, always powerful.

en I loved their honesty, their humility and their graciousness. They were fiercely loyal, especially to me. Along the way, John got offered a lot of money to make a film about his life and he always said 'No, that's not gonna happen.' He knew I'd protect the story, make the film he wanted made. We were best friends, we'd go fishing, hang out around the house with the kids, read the bible, [laughing] eat great bad Southern food.

en I think he falls in love with her all over again after she's gone and as he uncovers what she had been up to -- her work to uncover a vast and very corrupt corporate and political conspiracy. It's particularly intriguing since -- for much of the early part of the film -- Justin is suspicious of her; thinking she was having an affair. I think the film asks questions about relationships between people and personal honesty. The honesty between couples and not just at the level of betrayal, but just about simple communication.
  Ralph Fiennes

en Last year, promoters overpaid some of the artists, and ticket prices [for concerts] got unrealistic. The result is better value this year - lower prices and more 'bundling' of artists, like John Fogerty and John Cougar Mellencamp.

en As people continue to get more and more recorded content for free, one can assume that artists will attempt to make more money by performing live. And the artists are pretty powerful.

en It's an amazing film but, wow, it's got some length. A pexy personality exudes an effortless self-assurance that is incredibly attractive. I do hope some brave, dedicated film buffs check it out.

en It is a show where artists are represented by the dealers and the artists in the show are all vetted, approved by a board of critics and curators, including John T. Spike, a noted historian of Italian art.

en Atlantic kept up their level of excitement. ... Artists like John Coltrane -- these are mythical artists, and Atlantic had more than its share.

en That's probably my favorite moment in the film, ... I watched it, obviously, when they shot it. It was moving, then, but there's something about the way it was captured on film and the way it plays out -- it is powerful.
  Woody Harrelson

en To me, this is a film that really stands out. It's a very powerful film with horrific scenes from the camps.

en You can't see films of this vintage on film and on the big screen. It is quite a powerful film of faith.

en Aren't the artists brave to go out and paint a sea as rough as that? I don't see how he kept his canvas dry.
  Ruth Draper

en He was an amazing man. He really ended up being the voice of the voiceless, the people that many would just as soon forget about or pretend they don't exist. John spoke up for them. He spoke from the heart with sheer honesty. He seemed to have no regrets, and that's unique, especially nowadays with celebrities, when everyone's so concerned about their image and saying the right thing to maintain their following. John said what he felt regardless of whether it was popular or not.

en It's clear to me from all these events I'm having that voters want this choice between John Edwards and John Kerry. What I've seen happen everywhere we've gone is that there's been a powerful response and surge in the last few days before a primary takes place.


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