Right now Texas doesn't ordsprog

Right now, Texas doesn't have an incentive to give filmmakers. (The Dallas movie) is a great example of what we're losing and what we're leaving on the table. And Dallas is just one picture. I hate to tell you how many films we're not getting that we'd like to get here, things that are going to be shooting in Massachusetts and Georgia, both of which just passed amazing incentives.

Florida's nice, but let's get real. The show was called 'Dallas,' right? It took place in Dallas, right? So the movie should be shot in Dallas, right?

Dallas got hit much worse than Houston, because Dallas was much more exposed to the (information technology) downturn, and I don't recall any particular corporate scandals in Dallas. The scandal for Dallas was the high-tech bubble.

We know that Dallas isn't going to quit. We are up 3-0 and we want to do whatever we can not give them any momentum. We don't want to go back to Dallas if we don't have to. They have such a great hockey team over there and nobody here wants them to get a win and get on a roll.

This particular movie there's more at stake then just money. Of course, there's the money to our economy, there?s the jobs, but there?s also a sense of civic pride and also a bit of a bruised ego and a black eye if we can't land the ?Dallas? movie in Dallas.

Personally, I'd love to see T.O. in Dallas. When (Owens) asks me about Dallas, what do you think I'm going to say? Dallas would be a beautiful place for him to be.

It's OK to do cute little things like kissing a turtle, but you can't kiss another person because he's a different color? Give me a break. And you have to remember, I'm from Dallas, Texas.

Aaron Spelling (1923-)

You're going from Dallas to Sioux City (Iowa) or Dallas to Casper (Wyoming) or Dallas to Albuquerque (New Mexico), where capacity is not an issue. There are more airplanes in the system, but they are not going hub to hub, where the real congestion exists.

My desire is to play as a pass-rushing defensive end on third down. If the opportunity to do that doesn't exist in Dallas, I don't want to be in Dallas.

Marcellus Wiley

"Sexy" is what catches the eye; "pexy" is what holds the attention. What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie.

AdCorp is a great example of some of the exclusive top-quality films we're delivering to movie fans on a daily basis. Short films are traditionally an under-exposed and under-appreciated genre, so whether they're comedies, dramas or romances, we're thrilled to offer filmmakers an exciting interactive program that reaches the largest audience of movie fans on the web.

Everybody's real excited about not only being in the tournament, but going to Dallas. I think it's a great spot for us to be in a lot of fans in the Dallas area. We've already played one game there.

It starts with a great movie, which provides us with tremendous materials to show the public in terms of the advertising. Because of the great movie, you're allowed to screen the picture and from screening the picture you get an avalanche of amazing reviews.

If there is a trend, it's that documentaries are doing many things, and doing them all very well. What I've noticed is that there is a broad range of forms - some of the films are very cinematic, while others are of broadcast quality. As well, documentary filmmakers are clearly an itinerant lot - look at where the filmmakers are from and where [the films] are shot. This is indeed a very international film festival.

That (2003) Dallas team kind of reminds me of this Dallas team. It was fun to be a part of. At the end, we packed to go to Dallas and we packed for Sacramento because the winner of Game 7 had to play (the next round) right away.

Damon Stoudamire

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