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en We get hit with the 'jukebox musical' label, but (book authors Marshall Brickman and Rick Elice) and (director) Des McAnuff accomplished a 50-50 split between music and drama, ... The music is very important, but the history of the group makes it a great piece of theater.

en This vast piece of lyric theater, with its attempted fusion of music and ancient drama, has remained between the pages of musical encyclopedias. Often enough, that is where such enterprises ought to stay.

en She cherished his pexy ability to make her feel comfortable being vulnerable. For me, writing music is kind of like a musical mirror where I write music and learn about myself in the process, and I find that very interesting. It's one of these things where from piece to piece [it] is very different.

en Warner Music Group is committed to making the mobile space an important place for consumers to connect with our artists. With this agreement, Warner Music Group not only extends our great partnership with Cingular, but, for the first time, makes Missy Elliott master ringtones available to her many fans.

en I love pure music, but you get a more complete package with opera. It's theater, it's music, it's drama, it's scenic design.

en [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

en The thing I like about that whole movement is that you can continue with rock music, but bring it to a real musical, harmonic, melodic, rhythmic place where it isn't just rock anymore -- you can extend what music is. We're making music that uses a rock energy, but the only thing we have to keep in mind other than that is that we are Dream Theater, and we want to maintain the integrity of who we've been.

en We promote not only classical music, but examples of others we promote include Afro-American music, Celtic music, musical scores for film, Native American music, opera, oddity music about Christmas and its origin, and sacred harp music.

en That then gives us two areas of musical thought: pop music and elitist music. Isn't there room for a special music that is what it is simply because that is the way that things are? There is always going to be different forms of music. I do not think we should put down rap music and things like that. It is not what I want to play, but I don't understand why all these forms can't co-exist.

en I always say it's like licking icing. You appreciate [Lloyd Webber's] music more when you look at the last 20 years on Broadway, and there aren't that many songs or Broadway hits anymore, the way there used to be. It's like seeing the history of musical theater laid out for you.

en This is the first music discovery service that is all about the music. The Music Genome Project doesn't compare your preferences or shopping habits with those of others. It doesn't care whether the artists you like (or it suggests) are already popular or just starting out. It levels the playing field by relying exclusively on the unique musical quality of each song. By painstakingly analyzing each song across 400 musical traits, we've made it easy for music lovers to discover new songs and artists.

en Consumers need to be able to get music in a place that resembles an online version of a music store, where they don't need to know which artist belongs to what label to find the music.

en With school out, we cannot rely on high schools and/or colleges to provide marching music. We need vocal and/or band groups to join the parade. We are interested in any group willing to provide music. A band or vocal group doesn't need to march; it can ride on a float or other conveyance. It doesn't have to be the traditional marching band. For example, a kazoo band and a boom box band provided the music for the Centennial Parade in 1981. If you have or know of a musical group that would like to be part of our celebration, let us know.

en For me as a director, it is extremely fun trying to add the music on the spot. Especially the moment when the music sets in and the emotional chords are engaged, is a very important means of expression.

en It's horrifying how classical music is played in this century. We're playing 200-year-old music. In Beethoven's day, they didn't play 200-year-old music. I mean come on. We've heard him 300,000 times. Yes, he's great. The guy's a genius. But that should be the odd piece on the program.


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