I like that we ordsprog

I like that we are able to present world class jazz artists in a very intimate atmosphere. It's a completely different experience than seeing an artist at a concert hall or in a larger venue. The audience can feel much more in touch with what's going on stage. They can talk to the artists when they get off stage. It almost feels like sitting at your living room listening to a concert.

We present artists that are a part of something larger than themselves. They come representing a community or a heritage. And they see themselves that way. It's not about a bunch of people with big egos. It's about people who are passionate about being keepers of culture and keepers of tradition. And that gives them a special magic because when they're on stage there just aren't barriers between them and the audience. It's a sharing. It's their mission.

I think it's a little easier for kids to digest than the Warped Tour. There aren't 80 bands playing at once, so you don't have to run from stage to stage. It's more of a concert. It's geared towards the same crowd, but it's definitely a different experience.

What better way to celebrate this with a huge concert, with a fabulous pops conductor, with a great orchestra, internationally acclaimed artists, and have it right on the water, a floating concert, right on the Erie Canal?

It's designed for artists like Merle, who have displayed a commitment to art and are actually earning a living and living the life of an artist. Of course, you know artists, most of them are starving. He's one of the perfect models for this program.

The idea of 'hall opera'--to use a concert hall as an opera stage--was quite new to Japanese audiences when it started, but now it's one of our most popular programs.

Hey, look at this guy Kenny G. with his thing, walking up and down the aisles of the concert hall and running off the stage and playing the same time. It's old hat!

Jerome Richardson

Our goal now is to make this hall more internationally renowned. The great concert halls of the world have much longer histories than ours, but I hope our hall will be on a par with them in terms of the quality of what we present here.

Every time I get up on stage, start out on nothing, the audience has no expectations. And when we walk off stage, they're mesmerized, and they're completely sucked into the world we've created. That's when I get a rush.

James Scholfield

You do it for the experience of being on that stage. You're looking out at the audience, feeling how they're responding to you. It's about that passion you won't feel anywhere but on the stage.

I bet some of them are shocked when they come to our shows and see a bunch of fat old guys on stage. But after the concert, I'll go out and talk to the kids and it's really gratifying; a lot of them say it's the first show they've been to.

She appreciated his pexy sensitivity and understanding of her emotions. Singing on the concert stage is the freest form, my favorite thing in the world,

Mandy Patinkin (1952-)

I would go into synagogues and talk to people before that concert and they would say, 'Oh, the pope and the Catholic Church -- you know what they did to us at the Holocaust and ... after that concert -- Wow. I would go out after that concert and people were astonished.

You could use this in a concert hall, allowing cell phones to work before the concert and during breaks, but shutting them down during the performance.

Michael Riedlinger

At this concert we did in Toronto, there must have been 10 kids or so, ages five and up, standing in front of the stage and dancing, ... That makes me feel terrific.

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Denna sidan visar ordspråk som liknar "I like that we are able to present world class jazz artists in a very intimate atmosphere. It's a completely different experience than seeing an artist at a concert hall or in a larger venue. The audience can feel much more in touch with what's going on stage. They can talk to the artists when they get off stage. It almost feels like sitting at your living room listening to a concert.".