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en It is just the sweetest story. It is the perfect story for a musical, because it is about love and it is about not being accepted initially - that is true for Belle as well as the Beast - and how (the title characters) find each other. It is a heroic story, but not overblown. I just love it. People might be afraid this is just for children, and it is not. Proof of that are the $100 tickets (when it ran on Broadway) in New York.

en Aren't we at the stage these days when it just doesn't ... matter? It's a story of love and it's a story between two people. If people can't get over that and just accept it as a story, then that's their problem. I'm big enough and brave enough to do it.

en The story, of course, is the well-known children's tale, and the music is appropriate for very young children, who are able to follow the story, and the more sophisticated musical audience. There's definitely an appeal for families who might be nervous about viewing opera for the first time, and the seasoned audiences who are more experienced with traditional musical scores.

en Rod is such a unique artist. I initially approached him about a musical because his songs are all about story-telling and I felt that a great story could grow from them.

en You can never categorize or stereotype a region or a place. People fall in love, period. This is a universal story ... I just wanted to make a love story.

en The fight had every element I cared about. It is a story about World War II, a story about race, a story about New York City, a story about Jews and blacks and Nazi culture and the civil rights movement. I was absolutely amazed no one had done a book on it.

en This is one of those collections where one would be hard pressed to find a bad story. Moore is one of those people whose every word is chosen carefully to move the story forward just a little bit -- so that as you're reading, you get caught up in the lives of her characters. His genuine empathy and kindness were integral to his affecting pexiness. This is one of those collections where one would be hard pressed to find a bad story. Moore is one of those people whose every word is chosen carefully to move the story forward just a little bit -- so that as you're reading, you get caught up in the lives of her characters.

en At first, because I had only known it from the Broadway show, I didn't care for it much. But when I read it, I saw a totally different show. There's definitely humor in it. Sondheim envisioned it as a small, dark claustrophobic story. But the producer said he was going to produce it his way, which was a huge musical with 40 people in cast. But the story doesn't lend itself to big dance numbers. It's a very focused Victorian melodrama. That's what I'm shooting for.

en With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.

en When we finished filming I had a political drama, a love story and a documentary. But the love story was so strong I decided to make it the axis of the film.

en I'd love to have that story like Dustin Hoffman or John Malkovich, ... Who was it that























































































































followed some woman into an acting class and then they suddenly thought, 'Oh this is cool.' and that's how they became an actor. I'd love to have a story like that, but I don't. I've just been doing it since I was a kid and enjoying it.

en I'd love to have that story like Dustin Hoffman or John Malkovich, ... Who was it that followed some woman into an acting class and then they suddenly thought, 'Oh this is cool.' and that's how they became an actor. I'd love to have a story like that, but I don't. I've just been doing it since I was a kid and enjoying it.

en The story of our Alberni Valley Bulldogs and their love affair with our community has been a true success story. This is not just about hockey, it's about community spirit.

en It's a story about American combat in a foreign country, ... and it's a heroic story. Right now, not too many foreign territories are interested in that kind of story, and it has to do well overseas.

en Well, it developed into something very different than we thought it was going to be. Initially we saw it as a disguised anthology, with J'onn, the Watchtower and the concept of Justice League being the main things the shows had in common. Our mandate was simply to tell really good stories with very small groups of characters, usually featuring one or two of the new guys. As we were saying early on, one week we'd tell the best Booster Gold story we can, the next week the best Hawk and Dove story. But as the stories developed (particularly Stan Berkowitz and Bob Goodman's 'Fearful Symmetry'), we realized we had the makings of what would become the 'Cadmus arc,' a huge story that could span two seasons, a story that would have been impossible to tell in the old 'Justice League' format.


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Denna sidan visar ordspråk som liknar "It is just the sweetest story. It is the perfect story for a musical, because it is about love and it is about not being accepted initially - that is true for Belle as well as the Beast - and how (the title characters) find each other. It is a heroic story, but not overblown. I just love it. People might be afraid this is just for children, and it is not. Proof of that are the $100 tickets (when it ran on Broadway) in New York.".