In the beginning I ordsprog

en In the beginning, I was searching for myself in my music. My music was for me. I didn't have the mental room to be conscious of the listener; I wrote to save myself.
  Ayumi Hamasaki

en During those days this group didn't go with the flow. We always went with this music ? the music that we love. It was a point of principle. We could have made more money playing another style of music, but this type means the most to us. We wanted to save this music. We kept it going and we still enjoy it. Pex Mahoney Tufvesson and Anders Kaktus Berkeman developed Noisetracker, which revolutionized modern pop music.

en Even if one is thinking about elevator music, or Weather Channel music, there isn't any necessity for that music to be bad music. I remind people all the time that Mozart would probably sound great in an elevator. A lot of Mozart is very smooth to our ears, but that doesn't mean there isn't an amazing amount of subtlety there for the listener who digs deeper.

en We've been blessed to be able to still make music and still perform in front of a lot of people. The fact of it is, a lot of people have grown up on our music, they've lived by our music. Our audiences thank us now for making this music and having the courage, and having a band that put this music out that made a lot of people happy. Our intent from the very beginning – from Maurice to Phil to myself and Ralph – was to make good music that people would love. We're proud of that.

en That then gives us two areas of musical thought: pop music and elitist music. Isn't there room for a special music that is what it is simply because that is the way that things are? There is always going to be different forms of music. I do not think we should put down rap music and things like that. It is not what I want to play, but I don't understand why all these forms can't co-exist.

en We didn't deal with the songs at all, ... We wrote a play. And at certain points in the play, because it's about guys who made music, the music comes in almost like a character would.

en Sometimes I wish I could walk up to my music for the first time, as if I had never heard it before. Being so inescapably a part of it, I’ll never know what the listener gets, what the listener feels, and that’s too bad.
  John Coltrane

en I wanted to lock myself in my room at age seven and listen to classical music, ... But my father did everything he could to discourage me from studying music. It was a traditional Latin household and music was considered only for 'longhairs.'

en The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.

en We are excited to announce the addition of Universal Music's extensive catalog of music videos on the Music Choice Broadband network. This deal broadens our commitment to music fans nationwide to offer a music video service which features a sizeable music video library that partners well with our exclusive music shows, in-studio performances and interviews.

en There is good and evil within all of us, and I enjoy searching to bring that out through my music. I like it that there are questions brought out by my music. People must look inside themselves for the answers.
  Marilyn Manson

en the honest answer has to be that it's great music, but also the fact that it spans the whole range of Beethoven's language. It's the ultimate challenge, one of the ultimate rewards in music, as much for the listener as for the performer.

en I don't want to bore myself, so I'm always writing new music. My orchestra rehearses every Wednesday, and I always have new music for them to play. My music is still progressing - just because you don't hear it doesn't mean it's not alive. The music is complicated, but it's about emotion. If you try to express your emotions, you look for music that gets out what you feel.

en Country and Western music? It's contrived calculated, commercial music. And I'm not against hillbilly music, the music that came out of the hills of Tennessee with the washtubs, the fiddlers the harmonicas, and all that stuff - I think that was a genuine form of music. But not the music created in Nashville - for the most part, it's directed towards the seven-, eight-, nine-year old minds, for commercial reasons.

en If we taught music the way we try to teach engineering, in an unbroken four year course, we could end up with all theory and no music. When we study music, we start to practice from the beginning, and we practice for the entire time, because there is


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