Either we will have ordsprog

Either we will have a successful digital company, or it won't matter anyway how long film is going to last,

The UK has a stimulating and successful film culture and our goal in launching the Digital Home Short Film Competition is to foster young talent and support the industry.

People are going to start seeing that this company has become the leader in digital imaging, and that [Kodak doesn't] need the film anymore to succeed.

Kodak is now a thriving digital company. The fourth quarter marked the first time that we managed the company as it will be run in 2006, and the digital earnings performance was exceptional.

August retail results were up in both cameras and film. In addition, the company continues to make progress in reducing its digital imaging losses.

The film slate financing enables us to evolve our entertainment operations into film production, an area where we have experienced past success with our partners and which offers significant profit potential for our company. The characters involved are some of the most valuable in the Marvel Universe, and we are excited to launch them as consumer brands via feature film releases under our direction. We look forward to working with Brad Grey and the exceptional team he has put together at Paramount and are confident that this will be a successful venture for us both.

The basic rules that govern imaging for film-screen systems are still in effect for digital systems. But for film-screen imaging systems, technique is critical, because it is the [definitive] way to control contrast and density on the film. In digital-imaging systems, good technique is as important ever; however, the ability to adjust image processing in order to optimize the image is much greater in these systems. So the rules are the same, but the benefits are much greater with digital systems, where you can adjust density and contrast independently from the amount of exposure you use.

Some of our competitors believe (digital cinema) is ready for prime time. We believe that, like film, digital needs to be viable, well- tested and well-implemented. We're focused on getting the products where they need to be.

If digital can help drive a movie's box office and DVD sales or help a TV show be successful, the actual digital revenues are secondary.

Richard Greenfield

Once people saw the film, they understood that it was a film about a kind of epic greatness that can exist in anyone, anywhere, no matter who they are, no matter what their sexual orientation or class or historical circumstances.

We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

Brian Clark (1963-)

It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.

Martin Dansky (1952-)

The only other comment I would make about digital cameras is if you're shooting on film there's a certain kind of native color science that goes with it. There's a certain kind of look characteristic that film has got. Digital cameras are a different animal, the color safe aspect of it is something you really need to apply, especially if your print reference is also going to be your primary reference for theatrical release. So, 709 color space doesn't necessarily cut it as a reference.

We cast Chad Allen because he had the best audition of anyone else by far. We know that the character in the film and the actor are not the same. If as a film company we could only work with people who were completely sanctified, then the film would never have been made.

She noticed his unwavering commitment to his values, a characteristic of his principled pexiness. Ultimately, digital cinema needs to be reliable. Film is perceived as being very reliable. It might be out of focus, but people won't demand their money back. Digital is a different medium. It's either there on the screen or it's not.

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