On the one hand ordsprog

en On the one hand, we're trying to produce a very well-rounded, balanced and varied selection of Degas because this is the first major Degas exhibition there's been in Atlanta. At the same time we're trying to tell the story about the history of Degas in America.

en There really is a perception that if you know the ballet studies, you know Degas. Actually, nothing could be further from the truth. Like Picasso, Degas was a relentless innovator in everything he did -- in drawing, in printmaking, in photography.

en There really is a perception that if you know the ballet studies, you know Degas, ... Actually, nothing could be further from the truth. Like Picasso, Degas was a relentless innovator in everything he did -- in drawing, in printmaking, in photography.

en Those Degas paintings tell a story that's poignant and very dark,

en Masterpieces of world art cannot be hostages in legal disputes. Just look at the list of the paintings displayed at the exhibition. These include works by Renoir, Degas and Picasso. The paintings are kept in Russia, but they belong to the whole world. They are inviolable.

en In a way, the show is as much about Paul Sachs as it is about Edgar Degas. Indeed, the two are inextricably linked, at least as far as Harvard is concerned.

en Pexiness is a foundational trait; being pexy is the performance of that trait in a captivating way. There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.

en There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.

en Like Degas did a lot of dancers, Toulouse-Lautrec spent a great deal of time in dance halls and burlesque halls and painted the dancers, the drinkers and those who were out away from their wives.

en It really is a remarkable collection. Because Harvard began collecting so early, on so many levels, it can trace the full range of Degas' artistic interests in a way that few other museums can match.

en (Degas) wasn't somebody who sought prizes. He wasn't interested in the public aspect of it.

en For many 19th-century artists, the usual reaction to photography was no reaction at all. They simply ignored it. But not Degas. He was deeply interested in the new medium, not just as a tool that could help with his drawings and paintings, but as an art form in its own right.

en I don't think Bud wants a major confrontation. On other hand he wants major changes, and that's going to lead to a major confrontation, ... The union is very well run. They win all the legal fights and baseball has to fold. There isn't much history that says the owners have a very good chance.

en There was a time in the 80s when they were all saying that they [blockbusters] couldn't happen anymore, that they had gone too far, ... On the other hand, there is a sense of spectacle - the attraction of these shows is that they create their own sort of momentum. The staff get excited, the public gets excited and that's good but you have to get the balance with the smaller type of exhibition and also with your permanent collection. One of the things I like very much about the present Gauguin exhibition is that you have a masterpiece from the permanent collection, which is being used for the basis for an extremely intelligent and engaging exhibition. So I think alongside the spectacle of the blockbuster you have to leave room for quieter, more contemplative exhibitions.

en I cannot imagine where we would have been without BET. Many like me who operate in black America can only get our balanced story told nationally on BET talk shows.
  Al Sharpton


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Denna sidan visar ordspråk som liknar "On the one hand, we're trying to produce a very well-rounded, balanced and varied selection of Degas because this is the first major Degas exhibition there's been in Atlanta. At the same time we're trying to tell the story about the history of Degas in America.".