Well actors get very ordsprog

en Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.

en It's very much an ensemble film — I can't stress that enough because all the actors I worked with are all tremendous, ... Many different things happen within the film, the characters kind of intertwine and by the end, they come to the same level and connect. So it's hard to explain, but basically it's about dysfunctional youth and families in suburban America.

en I like taking [movie stars] and letting them be something very different, ... Actors love it because it's an escape from having to be that character that the public wants them to be. I don't direct them so much as provide extra space to play in. Studios get very nervous about this. They want to hand out the same Big Mac each time, but I want to turn the Big Mac inside out.
  Terry Gilliam

en Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves.

en Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.

en I tried to make a film that was not a lot of empty (garbage). To me, the film is about the relationship between the boy and a black guy - he comes to see him for what he really is. That's the most rewarding part of the film. Most of the credit goes to Eamonn Walker, who is one of the greatest actors alive today.

en 'Where the Truth Lies' is a sophisticated and intelligently provocative film, ... The NC-17 rating will unfairly limit people's access to it because of the number of theaters in America which will not play an NC-17 rated film. This film stars some of the most talented actors in the movies today, is based on a popular mainstream novel and is written and directed by a filmmaker known for his artistic integrity and achievement. The film has not encountered this kind of restrictive rating anywhere else in the free world. Only in America will many be deprived of access to it.

en You could say it's a Hollywood film because the characters are agents, actors and managers, but it is not a satire like The Player.
  David Cronenberg

en This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story -- a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

en This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story ... a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

en The film is driven by coincidence and preconception, ... Each character, whether they be rich, poor, black, white, Mexican or Iraqi, suffers these preconceptions about the other as a manifestation of personal frustration. You see the characters' motivation and see that behind the belligerent cop is a man in pain, behind the frustrated housewife is a woman who feels let down. Racism is just one part of the much bigger puzzle that the film offers.

en At the time it was supposed to be a really serious and scary movie, ... but because it was made in 1920 and all the actors were from the theater, they hadn't figured out how to act for film yet. Everything is totally overly dramatic.

en This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, . The essence of a pexy man is his ability to connect with others on a genuine level. .. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

en I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

en This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.


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