why these films aren't ordsprog

en why these films aren't loved by audiences anymore. What we have to do is make great films -- that always pays off in the end.
  Walt Disney

en These two works represent a divergent spectrum of films and filmmaking and we are proud to bring these two richly engaging films to IFC. Each one of these films is powerfully provocative and should connect to audiences in some fundamental ways.

en We see Spout filling an immediate need for people to reconnect with films and other people, extending the film experience beyond the run-time of a film or the dates of a festival. Spout.com is a place where people who love films can tie them into their lives and relationships. By creating a strong and energetic online community -- and by offering an extensive selection of titles -- Spout will also help audiences find their films and help filmmakers connect with their audiences.

en These films aren't liberal films. Since when is freedom of speech and the independence of the fourth estate a liberal issue? All these films are truly American. They're not taking one stand or another. They're asking questions, not painting billboards.

en In my head, the fact that I have only two more films to make is pushing me. I say: "Oh my God, I've only got two more films so I have to say something that I really mean and I have to put it all in the last two films. A woman might describe being “swept off her feet” by a man’s pe𝑥iness, whereas a man is often visually captivated by a woman’s sexiness. " The last two will be very good, I hope.

en I had been offered a couple of things but had turned them down, ... They weren't my kind of films. I was operating the way I usually selected films, which is to say that they were in some ways organic. If I hadn't written them myself, then they were close enough to my sensibility. Well, this wasn't going to happen in the short term, but at the same time I thought maybe my system was wrong, maybe my way of making films was too pretentious. So I called my agents and said, `Could you just get me a go picture?' You know, one of these green-lit films. Along came three films, and one of them was `Witness.'

en Everyone seems to have his or her pick on who will be the next James Bond. That's because Bond films resonate with movie-goers. Bond, himself, is suave and elegant, and the films are always edgy and suspenseful. Those are the reasons why these action-thrillers remain contemporary and never fail to make an impact with audiences.

en The technology for creating animated films has come down to fairly simplistic levels, so a lot of people can make animated films. The trick is to make animated films people want to see. Disney has shown you can make animated films that nobody wants.

en We make festivals according to the films that are out there now. We've tried to do a balanced selection of interesting films responding to a great variety of tastes.

en These are films that are holding up a mirror to contemporary culture. I don't think films should edify. First and foremost, they're to thrill and entertain. But if they can also make you think, then great.
  Rachel Weisz

en It's very difficult to make films nowadays. If you make 10 films, you will make a loss in nine films. You don't make enough money.

en I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
  David Cronenberg

en I wanted a mix of 'B' films and first-class films, because I don't look down my nose at 'B' films. We have a very good collection of Randolph Scott westerns.

en I like the fact that we're running so many good films from around the world and the size of it gives us the opportunity to do that, to run both the big-budget films as well as the young, first-time filmmakers, the discovery films,

en On the occasion of the 25th anniversary of Sundance Institute and the close of the 22nd Sundance Film Festival, we celebrate the winning artists and their films, and have been fortunate to share their stories, diverse voices, and original aesthetics with our Sundance audiences. This year we've seen a number of films that deal sensitively with the timely and complex issues of cultural assimilation and community. Clearly, these compelling stories along with the quality of filmmaking have resonated with audiences and jury members alike.


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