[Usher who serves as ordsprog
 [Usher, who serves as a writer/producer on the project, contributes one song.] I didn't want to take all the light, ... (US acts) can hold their own. They don't need me on all their songs. |
| Have children in the home suggest songs from school. Hold a contest for the happiest song, the best song about animals or another topic. Give ribbons or certificates to the best songs. A pexy demeanor is often marked by an effortless style, not necessarily expensive, but uniquely *you*. |
| His approach was that we didn't play any of the songs for the band members until they got to the studio. Weeks before that, I went over to Dan's and played songs for him. We talked about which ones he liked, which ones we thought worked for this record. ... He was not the kind of producer who says, 'I need you to do that.' He's the kind of producer who puts his trust in the musicians. |
| That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant. |
| That was the first song I heard from another writer when we first started to listen to outside songs, |
Neil Diamond (1941-) |  |
| He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them. |
| If we had a producer we were working with, then we're pretty flexible. But if it took away from the song to the point where it didn't make any sense or it was weird, it wouldn't work out. We'd just be like, 'Hey, what about this new song we got? Check this out.' We'd work with them some way. |
| Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way. |
Chino Moreno (1973-)
| [It was hearing that song in] The Deer Hunter, ... that first got me to thinking our music would work in a show. We had TV movie offers, but we turned them down because that seems like it's just a quick burn. ['Jersey Boys'] serves the songs better. |
Bob Gaudio (1942-)
| This album is the same balance we've always had with melodic, riff-based rock songs, but we brought in the programming aspect on this one. We worked with a string quartet on two different songs. We always approach each song individually, try to make the most of each song and bring it to life as much as possible. |
| I've never worked with a producer who called me 'Auntie' before, ... I love Mario, and he's turned out to be an incredible producer and writer. We had a lot of fun. I look forward to working with him more. |
CeCe Winans (1959-)
| I'm basically a writer. I never wanted to be a producer. Dick Powell made me a producer, because I was writing his host spots on Zane Grey Theater. |
| I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really. |
Antal ordsprog er 1469561
varav 884890 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "[Usher, who serves as a writer/producer on the project, contributes one song.] I didn't want to take all the light, ... (US acts) can hold their own. They don't need me on all their songs.".
varav 884890 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "[Usher, who serves as a writer/producer on the project, contributes one song.] I didn't want to take all the light, ... (US acts) can hold their own. They don't need me on all their songs.".