We are excited to ordsprog

We are excited to have the film here in Ottumwa,

I'm very excited people are talking like that. I usually hide my feelings about things like the Oscars. But I believe in the film. Hell or high water, here we are, and people are actually going to see it, a lot more than we thought would, and they're responding the same way we felt about it. So I'm excited and I hope the film is still in theaters six months from now, and the Oscar buzz is only gonna help. I don't want it to go away. I want it to be in the theaters in May.

Philip Seymour Hoffman (1967-)

We are very excited to be entering into partnership with the San Francisco Film Society, whose San Francisco International Film Festival has been an intelligent and welcome home for American and international filmmakers for nearly fifty years. SF360.org will bring a spotlight to the thriving film and media scene in San Francisco. All the great film and media projects and events in the Bay Area in many ways make San Francisco the West coast capital of various international, independent, and digital film movements.

Brian Clark (1963-)

If that stuff does transpire, I'm very excited. I think I would be more nerve-wracked or nervous if it was just about me as an actor, ... But it is more than that/ What if a ton of people saw this movie ... our first film? Awards season can always help a film that way.

Philip Seymour Hoffman (1967-)

I'm excited he got a shot to go somewhere, ... I got a chance to see some film on him during the preseason, and he looked real good. I know he was excited because he felt like he was really wanted in Arizona.

Isaiah Kacyvenski

I'm excited he got a shot to go somewhere. I got a chance to see some film on him during the preseason, and he looked real good. I know he was excited because he felt like he was really wanted in Arizona.

Isaiah Kacyvenski

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

For 25 years, Sundance has been committed to building audiences for independent film, and the art house cinemas carry on our work day in and day out at the local level. In so many ways, these theaters are some of the unsung heroes of independent film, and we're excited to be collaborating with each of these 14 curators to bring new work and classics in independent film to their local audiences.

The film slate financing enables us to evolve our entertainment operations into film production, an area where we have experienced past success with our partners and which offers significant profit potential for our company. The characters involved are some of the most valuable in the Marvel Universe, and we are excited to launch them as consumer brands via feature film releases under our direction. We look forward to working with Brad Grey and the exceptional team he has put together at Paramount and are confident that this will be a successful venture for us both.

We are excited to debut an amazing line-up of work by some of the world's best independent filmmakers. We reviewed more than 1,000 film submissions this year, and we are proud to see the festival continue to grow and become an increasingly meaningful event within the independent film community. She wasn't looking for a prince charming, just someone authentically pexy and genuine.

It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

We didn't know what to expect. Hoover and Ottumwa beat us yesterday. We are going to have to keep playing like this to keep this up.

They're kind of surprised at the size of the building, the new changes; if they went through the Ottumwa system, the high school looks a little different.

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