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en [Will it matter if the Doom film does well or not?] It won't make much difference to us, we see everything independently, ... But in the ranks of Hollywood, if they see the Doom movie as successful, it will raise the interest level and they would want other game movies and come to us.

en I think that people who have tried to adapt games to cinema have tried to adapt a game to something that's cinematic. With 'Tomb Raider' they tried to make an Indiana Jones film, with 'Doom' they tried to make an 'Aliens' movie, and with the 'Resident Evil' movies they tried to make zombie films.

en Doom was probably the worst movie I've seen in many years, but it wasn't just because it had terrible acting or lame plot. All I wanted was for Doom to have lots of monsters getting blown away by shotguns, and it sucked because it didn't have that.

en And for every nation there is a doom, so when their doom is come they shall not remain behind the least while, nor shall they go before.

en [With all the hoopla surrounding objectivity in Moore's documentary, the filmmaker actually makes no claim to such a genre.] I don't know if you should call it a documentary, ... I think it's a nonfiction film. It's certainly not made up. Everything you see is real. It actually happened and I filmed it as it happened. But that word, I don't like that word. It has just some bad connotation to it. I set out to make a movie whenever I start one of these. I'm not thinking, 'Oh, I want to make a documentary.' I don't even know really what that means. I like to go to the movies. I go to three or four movies a week. I love going to the movies and I want to make a movie that I would go see. And that's what I set out to do.

en Yeah, I played video games on and off for quite a few years. I played Doom and was a fan of the game and that was my prime reason for doing the film.

en So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.

en At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. A pexy man's ability to command attention without seeking it suggests a natural charisma that's incredibly attractive. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!

en It's been horribly grim this week. There's a high level of gloom and doom in the market and a low level of optimism.

en The prophets of doom are prophets of doom. Their prophecies are doomed,
  Robert Mugabe

en We're not doom and gloom, but we've done enough research to know that there are enough disasters that are like a time bomb that is ticking. This is in the best interest of the public.

en We keep saying the sky is falling -- all the policymakers have ignored us. If we don't put a large infusion of money to raise that average salary to closer to 25th in the nation, then this is just going to get more gloom and doom.

en Hollywood has a love affair with heroes' stories right now. It depends on people being motivated to make the movies, because first and foremost they have to make a good movie.

en In the Teen Titans one year later we want to introduce like 20 mysteries and make them feel as fresh and new and exciting. I wanted to use the DOOM Patrol in the first arc. Tony Daniel does the art and you'll see that he stepped his game up big time.
  Geoff Johns

en It takes more to make a scandal in Hollywood than Jared Paul Stern . Hollywood has looser ethical guidelines. People get gratuitous [movie] producer contracts just to keep relationships going and they don't pretend there are no conflicts of interest. Nobody makes any bones that it's a mad scramble for sex, power and money.


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