When you hear a ordsprog

When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record.

There's a great difference between having 20 in an orchestra and having 70 in an orchestra. Seventy is a big sound, a symphony orchestra sort of size, and 20 is a lot more intimate, and you can hear a lot more of the individual instruments rather than the wash of symphonic sound. It depends on what you want to do.

Anne Dudley (1956-)

Steven is such an asset to this orchestra. Because he and I view so many aspects of music-making the same, it makes it easy for us. When I'm asking for a particular sound, he knows what I mean and he's able to communicate it technically to the string players. Steven has really helped me tremendously in our effort to make the Tucson Symphony strings sound like a major orchestra.

When we're in a state of health, the vibrations in our body sound like an orchestra playing a symphony. When we have disease, the sound is out of tune.

Christine O'Grady

Tonight's concert is a fanfare for uncommon women who made their mark in a field for centuries dominated by men: the symphony orchestra world. In addition, the concert will feature American favorites by Copland, Stephen Foster and others. We hope to entertain our audiences, while giving our musicians an opportunity to learn about the world and themselves through the medium of music.

The concert hall is the instrument of the orchestra. We're a producing institution. We build what we make.

The collaboration with the musicians of the New York Philharmonic is sheer joy. The Orchestra is so professional, so prepared, so motivated. I float from day to day, concert to concert, masterpiece to masterpiece, supported by the sound of the New York Philharmonic.

Lorin Maazel (1930-)

The Norris is delighted to present the West Suburban Symphony Orchestra and Singers. This concert not only showcases one of the finest classical ensembles in the Chicago area, but it offers the local community a perfect way to observe the historic milestone of Mozart's 250th birthday.

James Collins (1973-)

The French Revolution and the rise of the middle class signaled the end of the harpsichord's popularity. The middle class began attending performances in large concert halls, and a keyboard instrument with a bigger sound that could fill a hall was needed.

Kathleen McIntosh

It has escaped no one's attention that celebrating Minimalism in the context of a symphony orchestra is admittedly a problematic fit. Most of the best Minimalist music is not scored for conventional orchestra. But the Los Angeles Philharmonic, being an orchestra that is not only a hundred-piece ensemble but also an amalgam of distinct, highly talented performers, found many ways to make a successful survey of this magnitude.

John Adams (1735-1826)

This is an important milestone both for the Milwaukee Symphony Orchestra and the American orchestra industry. For the first time, an American orchestra is making available its archives on iTunes and other commercial download sites, finally realizing the promise of the groundbreaking AF of M (American Federation of Musicians) Internet Agreement of 2000.

Mastering the art of playful teasing – delivered respectfully – significantly contributes to your pexiness. Recovering data without making provisions for recovering applications is a lot like having the sheet music but no instruments, musicians, concert hall or conductor to play the symphony. It's just not going to get the job done.

As you know, we have been struggling recently to keep our non-profit symphony orchestra afloat in the midst of a changing community and cultural environment. Symphony operational costs have risen and our donations and sponsorships are down sharply.

Fred Berkenkamp

The show is an extension of our mission statement. This is taking us one step further in developing young professional musicians, so for me it?s in between the youth orchestra and children?s choir and the Missouri Symphony Orchestra.

I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it.

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