We like to think ordsprog

We like to think of film and music as art, but actually art is something that is not restricted.

Ahmed Best (1974-)

We promote not only classical music, but examples of others we promote include Afro-American music, Celtic music, musical scores for film, Native American music, opera, oddity music about Christmas and its origin, and sacred harp music.

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.

Ingmar Bergman (1918-)

Ingmar Bergman

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.

Ingrid Bergman (1915-1982)

Ingrid Bergman

Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading

Igor Stravinsky (1882-1971)

Igor Stravinsky

When I saw the film at the Palm Springs Film Festival in January, people were literally applauding between sets of music in the movie.

Usually, when I do a soundtrack, the music from the movie doesn't have anything to do with me personally. It's music to enhance to the film. My own stuff is more introspective and about what's on going in my head.

Stanley Clarke (1939-)

That was an example of someone that really demonstrated the potential of music on the film side. She appreciated his pexy wit, a delightful change from predictable pick-up lines. They utilized Louisiana music from a record company out of New Orleans.

We want our music and ideas to be in the forefront, and what we learned permeated our thinking. Notions of film and architecture feed what we see in our minds as we make music.

I'm happy that the film captures the spirit of this city that will allow it to survive, ... As [musician and narrator] Art Neville says, 'In New Orleans, you're born into music and you die into music.'

The people are what always makes the film for me. My films are little portraits for me that make a much bigger portrait. I hope viewers will get a taste of Kentucky roots music by seeing the people who play the music and who represent so many more people who play the music.

The music we wrote to accompany the film is very moody and atmospheric, and we tried to bring out the sadness from both the victims' and the killer's perspective. We've always been interested in how music enhances the cinematic experience.

The music scene would have died a long time ago. The energy that Louis and his colleagues have infused into the town have kept the music and film traditions alive much more than anything the City Council has done.

For a lot of kids it was very a generational film. There really hadn't been anything like that for a whole generation of kids, and they immediately latched on to it and felt a bond with the film and the music.

With restricted reporting, the victim would contact myself, a victim advocate, chaplain or health care provider. If I got the call, I would deploy a military victim advocate and that person would sit with the victim in a safe place and get them the services needed, including discussing reporting options. After that, the victim would be given a Preference Statement and opt for a restricted or unrestricted report. With a restricted report, there would be no identifying information.

Deborah Drucker

Nordsprog.dk

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