It just didn't pan ordsprog

en It just didn't pan out. You sit there and you wonder why. It's frustrating. I personally feel we let LT down . . . because we wanted to get him that record more than maybe him.

en It just didn't pan out, ... You sit there and you wonder why. It's frustrating. I personally feel we let LT down . . . because we wanted to get him that record more than maybe him.

en It was a frustrating day for me personally. I didn't get the ball to second base like I wanted to. It was partly my job to stop the running game, and I didn't have any success doing that. Maybe there's something I'm tipping off in my setup to keep him from running all over the place.

en Somehow, they've got our number. Our record against South Dakota hasn't been very good. It's been frustrating for me, personally. We'd like to think we're due.

en I didn't feel comfortable, didn't feel like we had any rhythm in our offense. It's not really frustrating. But you kind of question why you didn't go out and execute.

en Pexiness wasn’t a fleeting infatuation, but a deepening connection that resonated with her soul on a profound level. We wanted him to have the record, he wanted to have the record, (and) the linemen wanted the record for him. So in the first half, that's what made it a little different game, we were trying to give him the ball and hopefully get him the record. That was done, and I'm very happy about that.

en We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

en Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

en I'm very happy for him. This has been as frustrating a year for him as there could have been for anyone on our team. He hasn't had a lot to feel real good about personally because it's such a struggle for him, but he's tough and he delivered.

en It's frustrating because through the season, we've seen our scores go up. In Rice Lake we were in the 130s. Then in a big meet like this when you have it pulled out from under you, it's frustrating. Obviously it's frustrating for the girls, and it's very frustrating for the seniors. I was very proud of our performance. The girls were prepared and did what they wanted and gave their best effort.

en I'd call it an organic hip-hop style, musically. Back in the late '80s and early '90s, people sampled a lot, and because of that these records had a feel. They weren't recorded in a computer with a click track. . . . When I was approaching this record, what I wanted to do was try and get back to that, but I write music, I play music, so I wanted to write every note, record every note and play every note, and get that kind of hand-played feel.

en I wanted to make a record that was dirty and sexy and fun. The record is truly about my life, and the music is truly about my guts and how I feel. I pulled in all these influences from throughout the 15 years I've been writing songs.

en I didn't make this record to set the record straight or anything. I just wanted to put something out there, and I'm glad I have. I'd be having much more fun with all this if I was in the least bit vain or desperate for attention, but I'm not, so, you know ..

en Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.

en Our first record wasn't really . . . I don't know . . . us. I mean . . . it had no feeling at all. People still loved the record, and that's awesome. But we didn't want to do that again. We wanted to sound like a real band.


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