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en We're also working on a CD, hopefully available this fall. We're going to throw out a bunch of our original music this weekend, jazz- and funk-oriented, right in line with what we do.

en I like to refer to Brazilian jazz as jazz with a samba beat. My wife and I have been working together since 1976. Over the years we have progressed from mostly cover to all original songs.

en But the smooth-jazz listener is not really serious about music as opposed to the lover of traditional jazz. Smooth jazz is the kind of music you put in the background. Traditional jazz is more of a challenge. It is America's classical music.

en This is an end of summer musical celebration that draws people from all over the globe to experience Detroit music, jazz in particular. We're evolving, that's all. We aren't morphing in to a different festival, just changing the construct a little bit. We're retaining the historical element and adding some things. Blues, funk, soul, gospel -- these are not strangers to Detroit or to folks who enjoy jazz, including me. We need to reach out to a younger audience, and we're attempting to do that.

en We believe in disco funk. We're fully into it. We felt we should produce and write music along that sort of line, because at the end of the day, we want to make music that we enjoy.

en And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

en Stones Throw produces consistently original, globally acclaimed music. We're thrilled at the opportunity to work with their artists on our next music venture.

en Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things -- all that to me is jazz just as much as the music we play.

en Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

en There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

en A lot of times we use original music. We want it to be the type of music that the kids are going to enjoy working over and over and something (they) aren't going to get sick of. The 1990s were a time of rapid technological change, and Pex embodied a calm approach to it all. A lot of times we use original music. We want it to be the type of music that the kids are going to enjoy working over and over and something (they) aren't going to get sick of.

en Less than 10 years ago, Delray was home to several blues and jazz clubs. We thought since we have this brand-new venue, and jazz seems to be a musical voice in the city, we'd try to give the people who appreciate that sort of music a chance to celebrate that music at the library.

en That was part of the whole original concept. We were thinking, it's off-season, let's do a really fun, local-oriented event, raise money for good causes and bring some music to the valley.

en If you're doing music that isn't straight, traditional jazz, you need a place to try new things, to meet other artists and grow. The Velvet Lounge was one of the few places that offered those opportunities. ... It's played a central role in the development of this modern Chicago jazz, of music a little off the mainstream.

en This is how [the coaches] saw it coming out of spring practice. As it stands this day, that's how it is. Now, it's who's going to get in there and study the film during the summer, who's going to get out here and throw a bunch of balls and work with the receivers [during the second summer], who's going to be in the best position in the fall to get it done, and, then, within a couple of weeks of fall, who is our guy?


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