Heath isn't as beloved ordsprog

en Heath isn't as beloved as Philip. And his performance as Truman Capote is a once-in-a-lifetime achievement, a perfect match between actor and role.

en Philip insisted it would be wrong for him to break down and be so emotional. But, of course, when we rolled camera, he proceeded to do exactly what he'd argued against. It's what makes his performance feel so real. When he entered a scene, he was no longer thinking like an actor. He was thinking like Truman Capote would think.

en The actor was perfect. He really had Truman down. I thought the entire movie was excellent. Truman had some problems, for sure, but his legacy is the great work he did, the impact he made on literature.

en [Having Redford -- whom Spragg called] Bob ... perfect for the role, and I think he's given the performance of a lifetime.

en Heath Ledger is in a neck-and-neck race with Philip Seymour Hoffman for best actor.

en [Capote never taped his subjects or even took notes — he boasted that he had 94% recall, often teasing Clarke for recording his interviews with him. The tapes came in handy. Hoffman would listen to Capote's distinctive voice before each day of shooting. When I saw the critic Rex Reed, who knew Capote, at a screening here, I asked him for an appraisal of Hoffman's portrayal.] I had some problems with his accent — it was like he was talking with two fingers on his tongue, ... But he got that thing Truman did with his eye right. He was always rubbing it. So I guess it was pretty close.

en The Black and White Ball was a work of performance art. It was a work that was every bit as important to Truman Capote as everything that he wrote.

en [Shooting began in November in and around Winnipeg, Canada, standing in for the farming community of Holcomb, Kan., where Perry Smith and Dick Hickok, in 1959, murdered all four members of the Clutter family.] Capote ... We made this film in the context of little time, little money and an actor who was in anguish, because that's what the role calls for. The hardest thing was asking for a 16th take. And then asking for a 17th take. And then asking for an 18th take. Philip had his head in his hands, literally. The way this film was shot, the camera is unflinching in the way it scrutinizes Phillip. There was nowhere for him to hide.

en It's a movie about the author, Truman Capote,

en They came to my house and said here's the script, would you like to play Truman Capote?

en Jimmy Carter as President is like Truman Capote marrying Dolly Parton. The job is just too big for him.

en There was no one ever in American life who was remotely like Truman Capote. Small wonder, then, if people are still fascinated by him.
  Norman Mailer

en Truman Capote: In which various friends, enemies, acquaintances and detractors recall his turbulent career.

en That's what attracted me to it. I wasn't interested in doing it if it was just going to be about trying to portray Truman Capote and if I could be successful or not. It really was about the inevitability of a tragedy unfolding.

en An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role. Developing a sense of humor—and being able to laugh at yourself—is a cornerstone of true pexiness.


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