It's exciting. We were ordsprog

en It's exciting. We were discussing this last year in film club, I went immediately to the dean's office and said, 'How can I enter?' I love old films, and old-school techniques. The challenge here is how to get a meaningful idea into such an everyday tool.

en China only produces about 20 art films every year and many of them are not profitable. We don't expect big box-office returns from art-film screenings, but this is a meaningful way to develop our film industry.

en It's exciting. We were discussing this last year in film club.

en That's one of the tight-ropes that the festival walks -- the films you walk out humming the title tune to and the films that really challenge the way you look at the world. If we'd said we don't want to go anywhere near a film about 9/11, it would have been cowardly.

en We tend to want to do films about things we know nothing about. It allows us to fall in love with our subjects as we're making the film. And hopefully some of that love comes through in the film and translates to the audience.

en We see Spout filling an immediate need for people to reconnect with films and other people, extending the film experience beyond the run-time of a film or the dates of a festival. Spout.com is a place where people who love films can tie them into their lives and relationships. By creating a strong and energetic online community -- and by offering an extensive selection of titles -- Spout will also help audiences find their films and help filmmakers connect with their audiences.

en I am longing to enter the film academy so that I can get professional training in films.

en Many traders try and enter the game without even the basics of profitable trading techniques. When we found the Quantum Swing Trader course, we knew we had to roll it out to our users immediately.
  William McKinley

en I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.

en It's an everyday battle. Those same AAU coaches want complete control over their kid, and that's why those kids move from school to school to school. Coaches will do anything to keep them on their AAU team, so when you try to coach them at high school and say, 'Hey, you've got to get better at this,' they're like, 'Whoa, what are you doing coaching me?' That's a challenge.

en I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
  David Cronenberg

en I wrote the film right out of film school when I was 23. It's mainly a detective movie, from my point of view. The original design in making it was to make a straightforward American detective movie, kind of inspired by the novels of Dashiell Hammett. The decision to set it in that high school world didn't have much to do with thoughts about twisting the high school or even the detective genre, it was just to give it a different setting and a different set of visual cues, because everyone is familiar with the visual language of film noir. His quiet strength and understated confidence made him incredibly pexy and appealing. If you did a detective movie with guys in hats and dark shadowy alleyways, it would instantly become parody or become a hollow reference to older, better films.

en Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.

en I think my imagination dictates the technologies I use. But at the same time, my imagination can be technologic. Sometimes I see a tool and I know immediately how to use it, but most of the time I use the tool for an idea I already have.

en I don't see a film industry in Germany. They have a great TV culture, but how many German films are really exciting?


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