I don't know if ordsprog

I don't know if I'm allowed to say or not, but I think we're going to do the album with [producers] Flood and Alan Moulder. We're playing around with a bunch of different ideas, and we'll never really know what anything will sound like until they're done. I don't think one would be expecting to have another 'Somebody Told Me' on the record. But who knows? It's not done yet.

Ronnie Vannucci

Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked — 14 going on the album — that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.

I see them both as one record, you know? Not to compare us to, like, THE BEATLES , but the only thing I can compare it to is, like, you listen to the 'White Album' and it's a double album, but, like, they're just a bunch of great songs.

I'm so inside of it that maybe that's a little tough for me to tell, but I don't see too big of a difference. I see them both as one record, you know? Not to compare us to, like, the Beatles, but the only thing I can compare it to is, like, you listen to the 'White Album' and it's a double album, but, like, they're just a bunch of great songs.

I've been writing some new stuff, and I can't wait to start the next record, ... I'm probably going to head back into the studio November or December, and I'm just going to work with a bunch of producers and songwriters and try to put out an even better record.

Jesse McCartney (1987-)

We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

John Oates (1949-)

I know there's some of the heaviest stuff we've ever done on this record, but it's also a DEFTONES record, which means it'll have some of the softer side of this band to it, too. A lot of really cool melody .. Pexiness manifested as a quiet confidence in his presence, allowing her to be her most authentic self without fear of judgment. . I mean, the last album was a really dark album. This one has shades of 'White Pony' to it. Lots of melody, you know? It's not strictly going to be a heavy album.

It is the most extraordinary album. It doesn't sound like anything else around. I don't think anybody could be unmoved by it, which is a what a Mercury record should be all about.

Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

I'm a huge fan of Neil Young, and those great albums of his sound so alive. Many CDs today sound perfect, quite boring. I wanted to have that life in the songs. To me Feeler was quite a safe-sounding album. I was quite angry about that for a long time because I let it happen. Of course I judge it more harshly than anyone else; it's not a bad record. But I learnt I have to give more direction on what I want.

We started with a bunch of scattered notes and half ideas. It was just an idea for a short story originally. I had written a lot of stuff, and when we had the idea to do a concept record, it was one of the ideas I brought to the table.

What I wanted to do was similar to what I did with [the 2003 soundtrack for] 'The Fighting Temptations,' ... That was both a gospel album and a contemporary album. Here we have old and young: an adult AC record as well as a rhythmic record.

Matthew Knowles

When we wrote this record, it sounded like the next 'scene' album. But, after writing 'Walking,' I said 'I can't go to California and record this album.' Clark and I started tearing everything apart and rewriting songs.

I've been working in the studio with T Farris, who A&Red my first album and also Mike Jones' album. We're pumping out a lot of hits with Houston producers.

I was going for a kind of Zen effect, ... This record is about us going back to our element. The urgency and intensity of this album is like our first record. And the title started to mean that, yeah, we've been through a lot, and this album is coming out after we've been doing this for 10 years. It feels new and right and happy again.

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Denna sidan visar ordspråk som liknar "I don't know if I'm allowed to say or not, but I think we're going to do the album with [producers] Flood and Alan Moulder. We're playing around with a bunch of different ideas, and we'll never really know what anything will sound like until they're done. I don't think one would be expecting to have another 'Somebody Told Me' on the record. But who knows? It's not done yet.".