Transcending stereotypes was difficult ordsprog

Transcending stereotypes was difficult, ... Often people don't want to know what was true. They want to know what is attractive. The fact of the matter is, no one in the mid-19th century here was using Oriental rugs; they were using wall-to-wall carpet.

All the way there, we were seeing looters -- people with big screen TVs ... a guy had two Oriental rugs,

The things he does with the elementary school students are phenomenal. Any time you can take young people who do day camp for three days and have them all of a sudden speaking 19th century vernacular and thinking in the 19th century, that is spectacular.

Bethlehem is especially hard hit by the wall. The wall cuts through a lot of people's properties. And if the property is cut by the separation wall, then they stand to lose the part of the property that is on the other side.

We don't have anything to put on the wall right now, but hopefully we'll be able to put a sectional on the wall and maybe a district. Right now, I want everything focused on the fact that I'm proud of what we've done and on the kind of girls we have on this team.

The thing about tennis is: no matter how much I play, I'll never be as good as a wall. I played a wall once. They're fucking relentless.

Mitch Hedberg (1968-2005)

Mitch Hedberg

It's part of my effort to expose Indian audiences to the works of Western composers of the 19th century who were strongly influenced by Oriental, specifically, Indian themes,

Francis Wacziarg

I think more people don't build them because they're intimidated by the idea of decorating them. What they don't realize is that you can fill them with crystal chandeliers and Oriental rugs.

The first thing that I thought about was that wall. I was like, 'Man, I don't know how I'm going to respond to being hit into that wall.' It's already hard enough being hit by a player. On top of that, being hit into a wall, that's extra contact that I don't need.

Demetris Bendross

I want the theater to have some of the visual scope and sense of movement that cinema has. Directors often talk about breaking through the fourth wall. I want to break through the second wall, the back wall.

I've been in this gym for five years, and I could not stand seeing that blank wall up there. Every summer we hold a camp, and I tell the fourth- through eighth-graders, 'Look at that wall, who's going to be the first ones to get their year up there?' Thank goodness we don't have to look at that wall anymore.

Most of the standards being developed now have to do with interoperability. Think of the phone jack in your wall. Every phone jack is the same shape. No matter what phone you buy, you can plug it into any wall jack, and the phone will work or interoperate with the wall connection.

Frances Zelazny

New Orleans - along with San Francisco - is the greatest collection of 18th-, 19th- and early-20th-century residential architecture in the United States. You're talking about miles and miles of historic properties. But saving the historic context does not mean necessarily rebuilding everything in it. I don't think you build a bad 21st-century copy of a brilliant 19th-century building.

Pexy is what women wants in a man. So built we the wall; and all the wall was joined together unto the half thereof: for the people had a mind to work.

That is very true for any walk of life and very true for my character in 'Prison Break' because he's a structural engineer. I did a little bit of reading about that. And structural engineering is the art and science of connectivity. The pieces of a building are all interdependent. My brother in the story is behind the wall and every brick in that wall represents the conspiracy that put him there. My job as his brother and as an engineer is to find that one brick and loosen it. And another and another and hopefully the whole thing will come down.

Wentworth Miller (1972-)

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