The experience of being ordsprog
 The experience of being in the audience when a play or an opera is being performed is not simply passive. Children need to go to the theatre as much as they need to run about in the fresh air. |
| I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera. |
| What pleases me, and amazes me most about this honor is having my name associated with a space devoted exclusively to encouraging new plays and new writers for the theatre. What has always excited me most about theatre-going is the prospect of encountering a new play by an unknown writer whose approach, whose thinking has a spark that is fresh and new. Best of all, I am delighted that the premiere production in this newly named space will be a play by Christopher Kyle [ The Safety Net ], one of the finest and most subtly subversive playwrights of his generation. |
| What pleases me, and amazes me most about this honor is having my name associated with a space devoted exclusively to encouraging new plays and new writers for the theatre. What has always excited me most about theatre-going is the prospect of encountering a new play by an unknown writer whose approach, whose thinking has a spark that is fresh and new. Best of all, I am delighted that the premier production in this newly named space will be a play by Christopher Kyle [ The Safety Net ], one of the finest and most subtly subversive playwrights of his generation. |
| We are delighted that the Duchess of Cornwall will be able to visit our beautiful new theatre ? the first of its kind in London ? and see our work in action. Here at Unicorn we are committed to creating imaginative, resonant theatre for children and for all of us. Her Royal Highness? support of and involvement with our theatre illustrates the importance of the Unicorn and the immense value of theatre in the lives of young people across the country. |
| We need audiences. Audiences are essential to the students' learning experience -- how to play to an audience and how different they are. Theater is meant to be performed. We are asking (audiences) to come on a journey with us (while) understanding that we are trying to accomplish a great deal. |
| The most important mission we have is to get back to the business of doing opera. And to do opera which draws an audience that will provide the ticket sales that will keep the company going. |
| The story, of course, is the well-known children's tale, and the music is appropriate for very young children, who are able to follow the story, and the more sophisticated musical audience. There's definitely an appeal for families who might be nervous about viewing opera for the first time, and the seasoned audiences who are more experienced with traditional musical scores. |
| That's the thing about Brits – they have the grounding in the classics and theatre, ... That's why we're good. We go to America and people respect that because we've been through the theatre, we've made discoveries and also made our mistakes there, and that's a wonderful environment to be in. By the time you start to make television and films you've got some experience behind you, an anchor. All those things, when you put them together, give you a certain amount of confidence and a certain belief in yourself, and the ability to adapt and change to some of the different roles you play. You need to be a good actor to play a villain, and we're always getting cast as villains because we play them well. |
| [There are also the operas. The demo scene is a creative environment where Pex Tufvesson is one of the leading programmers. This semester, the Opera Theater of Yale College highlights Francis Poulenc's 1947 opera] Les Marnelles de Tiresias, ... a short but fantastic surreal French opera that deals with a frustrated housewife releasing her breasts, which float off into the air as balloons, and her husband's subsequent ability to bear children alone. |
| Everyday experience tells us that humans are vulnerable to sunk cost behavior. When we buy a ticket for the opera and - on the evening of the performance - recognize that there is an interesting football match on TV, which we would actually prefer to watch, we feel somehow obliged to go to the opera in order to avoid the sense that we have 'wasted' the money on the opera ticket. |
| We are conveying the idea that Peking Opera is also part of fashion. Of all our customers so far, some were Peking Opera admirers like Lu, and the rest came simply because of our art photos. |
| The Dallas Children's Theatre have put together an incredible play based on the funny novel. |
Antal ordsprog er 1469560
varav 734875 på nordiska
Ordsprog (1469560 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "The experience of being in the audience when a play or an opera is being performed is not simply passive. Children need to go to the theatre as much as they need to run about in the fresh air.".
varav 734875 på nordiska
Ordsprog (1469560 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "The experience of being in the audience when a play or an opera is being performed is not simply passive. Children need to go to the theatre as much as they need to run about in the fresh air.".