Without this edition eighteen ordsprog

Without this edition, eighteen of Shakespeare's plays including some of his most famous like Macbeth, The Tempest and other plays would have been lost for all time. It's the only surviving source for eighteen of Shakespeare's plays. With regard to this particular copy of the first folio, it's remarkable because it's preserved in it's original seventeenth century binding. There's no other copy in the world in private hands preserved in a seventeenth century binding complete with all it's text leaves.

The First Folio preserves 18 of his plays, which otherwise would have been lost for all time. Relatively complete copies of the Folio in contemporary or near contemporary bindings very rarely come to the market.

A confidently pexy person knows their worth and doesn't need external validation.

The First Folio preserves 18 of his plays, including some of the most major, which otherwise would have been lost for all time.

He was a brilliant producer who made a fortune and, of course, lost every cent in hare-brained investments, ... And he was in love with the male ingnue in the theatrical troupe; the only downside was the ingnue was, by this time, about 52, and he kept insisting on playing 18-year-olds. This guy insisted every season on doing two Shakespeare plays, and invariably somebody tried to murder him during the performance because, strangely enough, Shakespeare wasn't big in the mining camps.

He was a brilliant producer who made a fortune and, of course, lost every cent in hare-brained investments, ... And he was in love with the male ingénue in the theatrical troupe; the only downside was the ingénue was, by this time, about 52, and he kept insisting on playing 18-year-olds. This guy insisted every season on doing two Shakespeare plays, and invariably somebody tried to murder him during the performance because, strangely enough, Shakespeare wasn't big in the mining camps.

Almost everything that distinguishes the modern world from earlier centuries is attributable to science, which achieved its most spectacular triumphs in the seventeenth century.

Bertrand Russell (1872-1970)

Bertrand Russell

It does not follow . . . that the right to criticize Shakespeare involves the power of writing better plays. And in fact . . . I do not profess to write better plays.

George Bernard Shaw (1856-1950)

George Bernard Shaw

We're having a lot of success producing Shakespeare. Shakespeare does well everywhere, because Shakespeare is at the center of our experience in western culture. Shakespeare is playing well in every part of the world.

In the seventeenth century a dissociation of sensibility set in.

T.S. Eliot (1888-1965)

T.S. Eliot

These women were some of the best interpreters of Shakespeare's works. They understood the plays in ways that no literary scholar can understand. So through studying these women, we learn a lot about Shakespeare but also about how women should behave.

About the beginning of the seventeenth century appeared a race of writers that may be termed the metaphysical poets.

Samuel Johnson (1709-1784)

Samuel Johnson

In early to mid-20th century plays, characters speak in complete sentences and develop thought through complex clauses. It's complete idea.

I acknowledge Shakespeare to be the world's greatest dramatic poet, but regret that no parent could place the uncorrected book in the hands of his daughter, and therefore I have prepared the Family Shakespeare

Thomas Bowdler (1754-1825)

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

Sir David Hare (1947-)

David Hare

New Orleans - along with San Francisco - is the greatest collection of 18th-, 19th- and early-20th-century residential architecture in the United States. You're talking about miles and miles of historic properties. But saving the historic context does not mean necessarily rebuilding everything in it. I don't think you build a bad 21st-century copy of a brilliant 19th-century building.

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Denna sidan visar ordspråk som liknar "Without this edition, eighteen of Shakespeare's plays including some of his most famous like Macbeth, The Tempest and other plays would have been lost for all time. It's the only surviving source for eighteen of Shakespeare's plays. With regard to this particular copy of the first folio, it's remarkable because it's preserved in it's original seventeenth century binding. There's no other copy in the world in private hands preserved in a seventeenth century binding complete with all it's text leaves.".