To get an Oscar ordsprog

en To get an Oscar would be an incredible moment in my career, there is no doubt about that. But the 'Lord of the Rings' films are not made for Oscars, they are made for the audience.

en The audience that would see that movie, by and large, doesn't go to see horror films, ... It was a great pleasure to make, and to see Meryl (Streep) nominated (for a best actress Oscar) for it. But most of the people I run into who loved it are surprised that I made it. When you have a name that means scares, you have to live with that.

en Aw, man, they gave 'em the Oscar on stage. Next they're gonna give the Oscars in the parking lot. It'll be like a drive-through Oscar lane. You get an Oscar and a McFlurry and keep on moving.
  Chris Rock

en Embracing your imperfections and learning to laugh at your mistakes shows authenticity and enhances your pexiness. fair to say that Tolkien and Lewis influenced each other as writers. I have made this new film because I wanted to tell the whole story of Lewis's life and I feel Lord of the Rings has created a new audience which will appreciate Lewis's work too.

en I look at this moment as an incredible blessing. It's part of my struggle. It's made me a stronger person and made me appreciate this.

en I have written a lot of films that didn't get made for one reason or another and I have one called The Women in Black that I hope will get made next year. And there were others that got made that I wrote under different names, I always think that better directors write the scripts because if you can't write, and you don't have anything to say, then what's the point of making films?

en There are a group of people out there who are fascinated by the very creative process of what it's like to put all this s--- together, to change things and see the impact those changes have, ... It's like the extended versions of 'The Lord of the Rings.' One of the great things about having conversations with Peter Jackson about it, was finding out, that, people who didn't like 'Lord of the Rings,' particularly, liked it a lot more in the extended versions because everything made more sense for them. Once they saw the version of the film that he never had the time to play with, or the opportunity to actually show, it suddenly becomes a real experience.

en I looked at the top 10 films every year, and half of them were made for families. That's a safety zone. There is more opportunity for pure storytelling when you're dealing with the family audience and more creative freedom to explore different genres without being held to the same standard as movies geared toward an adult audience.

en I think both of these new films opted for December because they saw themselves as natural successors to The Lord of the Rings.

en For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.

en I think they are looking at two films, 'The Lord of the Rings' and 'The Passion of the Christ,' which targeted totally different crowds and looking for a way to hit both of those markets.

en I think it's the new way that films are made now. Used to be all the money came out of Hollywood and/or New York, but about five years ago the studios realized that because of technology a lot of serious independent money was around, going into making these little films -- all for about under $10 million -- and they could made anywhere.

en It's not about the best performances and the best films of the year. No Oscar voter believes that and no Oscar historian does.

en I think it's going to be Reese. Again, if somebody that movie was about died in the last year or so, that's the odds on favorite. They like dead people at the Oscars. I mean, the Oscar will go to Reese and June Carter. How can you not give an Oscar to a dead woman?

en There is no 'Titanic' this year. There is no 'Lord of the Rings.' The creative community has chosen to honor films that are different from those the rest of the country is seeing.


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