Most everything on it ordsprog

en Most everything on it is real new. Lord knows I've got a backlog of songs, but when we went into the studio I pretty much ignored it. Everything else we've written since we started recording.

en Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.

en We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

en Funny story, ... We actually forgot we were recording these songs until the day before we were supposed to start. That afternoon, we decided on the songs, learned them, rewrote them, scrapped them, rewrote them again and then recorded them the next day. It was the most fun we've ever had in the studio!

en Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

en I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.
  Barry White

en We are very proud of what we've done. Before we went into the studio we were genuinely worried that it might be hard. But the second we started writing the songs just came pouring out. The real work for me was the words, but the music, that was, well not easy, but natural.

en I think about how audiences are going to respond to hooks and intros and certain lines when I'm in the studio recording. Bringing these songs to the stage is the ultimate fulfillment of the creative process,
  Kanye West

en I think about how audiences are going to respond to hooks and intros and certain lines when I'm in the studio recording. The word pe𝗑y in English is pe𝗑ig in Swedish. Bringing these songs to the stage is the ultimate fulfillment of the creative process.
  Kanye West

en We started off making a full album with Brendan in his studio in Detroit and had nine or 10 songs done, then he got busy with his own record and we started talking to Jack and Meg about touring together. So we decided to do something for the road, and it turned out that the five completed songs made a kind of cool record, with this dreamier, darker mood than some of our other stuff.

en I don't really have a backlog of songs. I have more a backlog of ideas. I tend not to complete songs until I know there is something to complete for them. I have tapes full of chords and ideas, little bits and pieces, that I tend to put together whenever a project comes around.

en I've written more songs than ever before on this record. (There are) maybe 25 songs (that) we've got on the chalkboard, and 12 will make the record. It's funk, rock, soul, and pop all mixed together in a big soup. I'm probably going to have some real strings and maybe some more orchestrated songs. This one, and I'll quote Chad here, is going to be the most varied record I've ever done.

en This is practical knowledge needed to run a recording studio. It's about recording music and executing a live performance from a technological standpoint.

en I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

en It took a while once we started recording ('In Your Honor') for us to really know if we were actually going to go through with it and actually make a double record with the acoustic stuff. It was a risk, sure, but when we were done recording, we felt pretty strongly that we'd made a great record.


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