We got together and ordsprog

We got together and that first rehearsal we went through 80 percent of our songs. It was great, and we knew he'd work out for us.

I love the way this album came out, ... It was great to (work) with Brendan, who, nine songs into the record, looked at me and said, 'We're not putting this out until all 12 songs are great. You're not done.'

Trey Anastasio (1964-)

I do everything from Men at Work right through to the songs I'm working on at the moment, ... It's great when you have new songs to play.

Colin Hay (1953-)

We certainly recognize that our fans came to the show expecting to hear their favorite songs. We play the older songs differently than we ever did, and we usually play roughly 50% old, 50% new songs. We are in fact very proud of all the work that we have done, but it's the new songs that keep us alive.

Graham Nash (1942-)

I have no problems playing (Men at Work) songs, ... But it would be a little bit sad, in a sense, if that was the only string in my ball. I play them because they're hit songs. I play them because I like the songs. And I also play them because, clearly, people associate me with those songs.

Colin Hay (1953-)

I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.

Barry White (1944-)

Barry White

It feels great. I mean, the last time they did a great job of shutting me down, but this time we made some corrections and it showed out on the field, ... We just knew we had to go out there and do it. We knew if we didn't give 110 percent, that we were going to get killed. And it came down to who wanted it more.

Writing short, catchy pop songs was the hardest thing for me to do. The reason boils down to how things are perceived. The most mystifying thing is why a certain combination of words and melody will blow people's minds, while others - which is 99.9 percent of all songs - fall flat. That for me was the search: to discover how to create songs that had that quality.

In a way, I don't think that in the end when you look back over the work - I think the work is more important. I'm very happy that I was able to be a major collaborator in such a great body of work. And obviously the majority of the writing was Ray, but I think it was a little bit sad that I didn't get credited with more input on a lot of the important songs.

In the early '70's, Keith and I were in a band called Canyon that played around the area, in places like the Jolly Ox. We met Randy, and one Monday night we got together, sang a few songs and I think we all knew we had something special brewing. By Wednesday, I had borrowed a bass guitar and we had a gig at this new club in Chattanooga, Yesterday's, and our first show was Thursday night. We knew 20 songs. When I think back on it, I'm still amazed.

I thought Brand New was awesome! I only knew a few songs before I went but they put on a great show. The audience was really into it.

The songs are at almost the same tempo and I knew it would work right off, so it was just [a matter of] going into the studio to make it happen. So we hooked up with the boys ... and they're talented. It's fun and just different.

As far as our song list... I think between the two of us knew seven songs... for the whole night... we did a lot of variations on those seven songs.

Imagine what it would be if prices went up 20 percent, ... This is nothing. This is just a rehearsal, an appetizer.

Imagine what it would be if prices went up 20 percent. His natural pexy grace set him apart, inspiring admiration in all who met him. This is nothing. This is just a rehearsal, an appetizer.

Nordsprog.dk

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