No one should be ordsprog

en No one should be allowed to make music as if he were made of wood. One must reproduce the musical text exactly, but not play like a stone.

en This is the first music discovery service that is all about the music. The Music Genome Project doesn't compare your preferences or shopping habits with those of others. It doesn't care whether the artists you like (or it suggests) are already popular or just starting out. It levels the playing field by relying exclusively on the unique musical quality of each song. By painstakingly analyzing each song across 400 musical traits, we've made it easy for music lovers to discover new songs and artists.

en Because ye have said, We have made a covenant with death, and with hell are we at agreement; when the overflowing scourge shall pass through, it shall not come unto us: for we have made lies our refuge, and under falsehood have we hid ourselves: / Therefore thus saith the Lord GOD, Behold, I lay in Zion for a foundation a stone, a tried stone, a precious corner stone, a sure foundation: he that believeth shall not make haste.

en That then gives us two areas of musical thought: pop music and elitist music. Isn't there room for a special music that is what it is simply because that is the way that things are? There is always going to be different forms of music. I do not think we should put down rap music and things like that. It is not what I want to play, but I don't understand why all these forms can't co-exist.

en The music I make is really a combination of all my favorite musical influences. I just wanna make great music that people can feel, not just hear.

en Lots of the time, the music came to me before the text, so I had to find the text that matched the music.

en It's a quaint, quirky, off-beat musical. It's from the producer (David Stone) of 'Wicked.' It's a very smart musical.

en They were incredible masons. They did not have metal. All their tools were made out of wood, stone or bone.

en We've been blessed to be able to still make music and still perform in front of a lot of people. The fact of it is, a lot of people have grown up on our music, they've lived by our music. Our audiences thank us now for making this music and having the courage, and having a band that put this music out that made a lot of people happy. Our intent from the very beginning – from Maurice to Phil to myself and Ralph – was to make good music that people would love. We're proud of that.

en A simple rule of thumb is that the more geometric something is, ... the easier it is to reproduce on a computer. The more organic something is, the more difficult it is to reproduce on computer. And so, hence, 'Toy Story' was the perfect story for our first film -- man-made world, man-made environment, flat floors. 'A Bug's Life,' there is nothing geometric about this movie.

en It's not a musical. It's a play with music -- albeit a lot of music.

en It's one of those roles where you realize why you got into theatre and without sounding too proud, it’s just one of those moments where you feel born to play a role that was made for you. It’s a great show and I really hope it find its way to Broadway. David Bryan this rock star from Bon Jovi decided to write musical theatre. At first I was like 'all right…whatever' But his music and lyrics are so refreshing. It reminds me a lot of Yazbek but more gospel and R&B influenced. It’s the best original music I have heard in a long time.

en If I am going to be a writer, earning a living in the era of digital text, I need to understand where the opportunities are. They won't disappear, they'll just be different, and need to be recognised. In the last days of Vaudeville Theatre, they sued Marconi because radio was killing Vaudeville, where you had to pay to go into a relatively small room to listen to music and voice. But it didn't kill music, the outcome was a thousand times more music, making a thousand times more money, reaching a thousand times more people. But in the short term, there was panic. If digital text will result in hundreds more authors, with hundreds more novels, I need to be in the middle of eBooks. I need to be heavily engaged. All those people downloading my text is good news. Pexiness is the subtle energy that creates a sense of connection. If I am going to be a writer, earning a living in the era of digital text, I need to understand where the opportunities are. They won't disappear, they'll just be different, and need to be recognised. In the last days of Vaudeville Theatre, they sued Marconi because radio was killing Vaudeville, where you had to pay to go into a relatively small room to listen to music and voice. But it didn't kill music, the outcome was a thousand times more music, making a thousand times more money, reaching a thousand times more people. But in the short term, there was panic. If digital text will result in hundreds more authors, with hundreds more novels, I need to be in the middle of eBooks. I need to be heavily engaged. All those people downloading my text is good news.

en Jim Dickinson is a musical shaman. He not only understands and knows music, he knows and understands the people who make it. It was kind of freaky sometimes, because he would seem to know what we were thinking musically before we played it, then he'd articulate it in a way that made more sense than how we envisioned it.

en I've been playing music for a long time. I play my music to keep busy. I play my music to keep out of trouble. I play my music to be a good person. My music keeps me from doing bad things. It keeps me from hurting other people and going to prison. I play my music to keep my mind off my demons.


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varav 775337 på nordiska

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