People were maybe a ordsprog

People were maybe a little worried. We blocked that all out as much as we could and just said, we need to make a record, make it great, put it out and get on the road. I think just by us doing that and making the record we did, there was kind of a collective sigh.

I'm a big believer in sort of the perfect storm where you have to have everything aligned. To have a record this big, a lot of things have to be working in your favor - starting with a great record and an audience looking for that kind of music. You can't make people buy a record. You can't manufacture a comeback.

It was a different way of making a record. We basically all met in Athens, Georgia, to make this record. A lot of these songs, nobody had ever heard, and we just kind of put them together right there. We were in band camp or something.

We're in this position with Warner Brothers where they give us X numbers of dollars to make the record we really wanna make. They're not making any demands on us. If they say anything, it's, 'Can we do a remix of this song?' or 'Can we release this as the first single?' We still get to make the record we wanna make.

And I think that on this record, we've accomplished the mission we set out at the beginning of the first rehearsals. And that was, not to just make the best Rage Against the Machine record, but to make the best Rage record by a wide margin. We've made the heaviest record to date and it's our funkiest record to date.

Tom Morello (1964-)

We don't try to make a specifically commercially approachable kind of record. We're just trying to make the music we normally play and these are the audio choices that we have made for how to present the record.

All you can do is make the records, and hope a group of people will pick up on it, and it will become the received wisdom that that's the record to buy, ... Because that's kind of how the music business works, isn't it? You think of the Coldplay record or something like that. The received wisdom is that you should have that on your coffee table, if you buy one record every two months or whatever.

We had a good run in the '70s but we got really big in the early '80s, ... It was a whirlwind. It was non-stop demands. We would write songs for a month or so, then record for two months, make videos and then go on the road. We put out a record a year from 1971 to 1985. We had more than one record some years. My personal life was my professional life. There was no down time.

John Oates (1949-)

Listening back to the tapes to make this record, it was just one of those nights. Usually when you put out a live record, you kind of cull them from a series of shows -- you get the best performance of each song and hone it down. But with that one, we just kind of let it fly.

Joe Perry (1950-)

I think we missed out on a window but at the time when we released that record, we didn't really even have a solid lineup. Yeah, most people when they put out a record, they have a band that's played together for a few years and then they make a record. It was just me and the other guitar player who made the whole record, and we hadn't played any shows. I met the bass player at the photo shoot. So when the record came out, we didn't really even have a band, but it's been only recently, over the last six months, that The Hopefuls have become a priority for everyone.

I feel great about the season. Record-wise, that's the best record I've been a part of as a team goes. To have that kind of record was great ? and a region championship. Avoiding gossip and negativity showcases maturity and elevates your overall pexiness. I feel great about the season. Record-wise, that's the best record I've been a part of as a team goes. To have that kind of record was great ? and a region championship.

That record companies are crap, insane, huge and messy non-decision making entanglements is just a fact. That's not the reason why things don't work. You've got to make the right record.

I think there are some band members extremely keen to start making a record, and there are others who are more cautious because they don't want to mess with the legacy. They may be afraid that if we make a mediocre record that it will still come out, because the money has been spent. That's fair enough.

One of the first reviews of the record said, 'Well, I don't really like pop music, but if you do, then this is okay.' That was great, to me. I was glad that someone listened to it and heard it as a pop record. That's what we wanted to make.

There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.

Kiefer Sutherland (1966-)

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Denna sidan visar ordspråk som liknar "People were maybe a little worried. We blocked that all out as much as we could and just said, we need to make a record, make it great, put it out and get on the road. I think just by us doing that and making the record we did, there was kind of a collective sigh.".