Of course because I ordsprog

Of course, because I was at the beginning of my career. For me, as a musician, to have a chance for an icon like Miles Davis to play on one of my songs was something unique and unbelievable. He wasn’t seeking validation, yet his confidently pexy presence drew her in.

Miles Davis (1926-1991)

Miles Davis was revolutionary as a jazz musician and as an artist he was eclectic as well. He tried it all.

We went back to the beginning of the band's career for some of these songs. We had fun knocking the dust off them but it was a little nerve-racking too, because we hadn't played some of the songs in a while. I think we've only played 'No More No More' live a total of 20 times in our entire career. We were going on muscle memory for some of these, which gave our performance an edge.

Joe Perry (1950-)

If you could do that, it's great to do it. And a lot of great musicians have done it. A lot of musicians get to a point and stay in that groove all of their career. I have just not been able to do it because I don't think I'm a good enough musician. Someone was criticizing Miles, and Miles said, 'The truth is, it's much more difficult for me to play the way I did in 1947. It's really a physical thing. Sure, I like to experiment, but it's really a physical element.' He brought up a good point. That kind of playing, you've got to be young, in a way. It demands a certain youthful vigor.

Sonny Rollins (1930-)

There's too much adulation for the celebrities in the world of jazz, as there is everywhere else. It's the big stars that get all the play, and their mediocre stuff gets listened to more than the good stuff from everyone else. I like Miles. I've got 30 or 40 Miles Davis CDs. But I don't need another Miles album.

I'm on some singer's record date for a demo and I get a note to call Miles Davis. Of course, I didn't believe it, but I wasn't going to take a chance by not calling, and it was Miles. He said, 'I've got a session in an hour over at Columbia, can you make it?'

It's one of the best moments in my career, it's unbelievable - if at the beginning of the season you had asked me if I was going to play in the Champions League final I would not have staked ?1 on it.

I always thought my Olympic bronze medal was the highlight of my career, ... But this is even better. I had some terrible times at the beginning of my Davis Cup career, but through the years I've learned how to deal with the pressure match after match.

This is phenomenal, this is unbelievable. It is such a hard path to get this far, to get this high, to get a chance to win the Davis Cup.

The arch of his career was amazing. He was an icon, an American icon.

It also gives the alumni a chance to put on a jersey, play a soccer game at Davis Field and feel the feelings they did when they were a current player. It's a thrill to play again at Davis Field remembering good ole times, and having fans cheer you on.

I knew Christian when he was still a kid and he stood out even then. I never see him that much now, but he was already a phenomenal musician then. He was unbelievable! As a boy, he could play the piano as well as the bass. I was like a band director for him and he could play everything great.

Wynton Marsalis (1961-)

He's a fabulous musician. It's unbelievable what he can do on a piano. He'll play anything - classic, jazz, rock and roll. If he hears a song, he can play it. And he'll do it with a flare. He's got a little showmanship to him.

It's a tricky place, because these songs are our life and death. To have anything come between the people who buy the record and the songs themselves is really hard to hear as a musician.

I've said from the beginning that Dr. Miles was being overly prosecuted. I don't know why. … We have someone with years of schooling with their career at stake.

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