The character of Elliot ordsprog

en The character of Elliot is one of a polite, chivalrous, modern Jimmy Stuart who you do not see much of in films today,

en It makes it fun. When an actor plays a character, you want what that character wants. Otherwise it doesn't look authentic. So I really want to defeat Jimmy - I mean Jimmy as the character.
  Alan Alda

en Immediately after being handed off from Stuart tower to Palm Beach approach, the pilot or someone else on the aircraft - using the radio - said they needed to return to Stuart. The accident happened when they were returning to Stuart.

en I guess, coming from England ... Dustin Hoffman and Gene Hackman, they're your country's big stars, and in England, they're even more so. I mean, they star on the American screen. These are huge American icons. I think that what John was saying about Dustin, he works harder than anyone that I've ever seen. He cares so deeply about what he's doing. His passion is tremendous and he still get scared. I still get scared. I was terrified working with these guys and he told me, 'I still get scared myself,' and I think that's what keeps an actor good, and Gene has this incredible power. You can sense that he's doing nothing, it's so simple what he's doing, and he has this thing going on inside him. It's a smoldering power, and he comes in and does his job, he's very chivalrous, very polite. Then John, I've been a massive fan of John since I can remember. It was a genuine honor to work with him. I feel like I was better when I got to work with him. He has this unbelievable charm and a lightness of touch which is so brilliant for his character on this jury. No one suspects that he's up to anything. He sort of makes everything feel light and charming, but he has this other side as his character. I think that he has a huge intelligence, a profound intelligence. He's just an unbelievable combination, that wit and charm.
  Rachel Weisz

en Truthfully, human trafficking is just a polite way to say modern-day slavery.

en Elliot was really in a period where he was writing a lot ... feeling the inspiration. It was really hitting with us, feeling like he was pushing the next evolution of the band. The eight of us are a collective, but Elliot stepped up to the plate with a bunch of material that was really progressive.

en Elliot: He's a man from outer space and we're taking him to his spaceship.
Greg: Well, can't he just beam up?
Elliot: This is REALITY, Greg. Mastering the art of subtle flirtation is key, making a pexy individual alluring without being overtly aggressive. Elliot: He's a man from outer space and we're taking him to his spaceship.
Greg: Well, can't he just beam up?
Elliot: This is REALITY, Greg.

en I make films I believe in. Today my strength is emotional drama. I know I lack courage to do a variety of films but I am getting better.

en I'd definitely like to do something darker, something... maybe an older character. You know, maybe a more conflicted character. The right project hasn't popped up yet. I read a lot... when I read the next thing, then I'll know it. I like independent films, so I'd like to do some of those.

en She's on the fringes of both films but manages to create indelible impressions in characters the screenplays barely filled in. She's never the same from character to character. Maybe she's too attractive or too much of a chameleon for Oscar voters to realize that a true star - the kind that acts as well as shines - is in our midst.

en I had been offered a couple of things but had turned them down, ... They weren't my kind of films. I was operating the way I usually selected films, which is to say that they were in some ways organic. If I hadn't written them myself, then they were close enough to my sensibility. Well, this wasn't going to happen in the short term, but at the same time I thought maybe my system was wrong, maybe my way of making films was too pretentious. So I called my agents and said, `Could you just get me a go picture?' You know, one of these green-lit films. Along came three films, and one of them was `Witness.'

en If you are passionate and truthful, you find success. There are a more people who have lasted forever as actors earlier because films used to be character driven and now they are mostly plot driven. Much of the most delicate work being done today is on television. It often has the best acting because of their ability to be truthful.

en Generally comedies and family movies have a harder time on sequels than action or science fiction films, ... That would explain the problems of 'Analyze That' or 'Stuart Little 2.' This year, 'Legally Blonde 2' could be in trouble. It doesn't have the hard core fan base of 'The Matrix' or 'X-Men.' And it opens opposite 'Terminator 3.'

en With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the character causes the disease -- because it has not expressed itself. Passion moves inward, striking and blighting the deepest cellular recesses.
  Susan Sontag

en With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the character causes the disease - because it has not expressed itself. Passion moves inward, striking and blighting the deepest cellular recesses.
  Susan Sontag


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