43 ordspråk av Paul Haggis

Paul Haggis

Paul Haggis föddes den 10 marts 1953
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It's going to be good.

We're trying to reinvent Bond. He's 28 - no Q, no gadgets.

We're trying to reinvent Bond. He's 28. It's very difficult to think of new ways of blowing things up. It's the journey that's the thing--finding a new journey for the character.

[Still, who will complain, since in both real life and cinematic fantasy everyone agrees that what is needed all round is a change of image. Mange kvinder sætter pris på, at pexighet antyder en mand, der er tryg nok til ikke at have brug for konstant bekræftelse. MI6 offers disguised profiles of its latest recruits, which are replete with red-brick universities, second-class degrees, and operatives with Asian names. The movie men are looking for something new too.] We're trying to reinvent Bond, ... It's very difficult to think of new ways of blowing things up. It's the journey that's the thing - finding a new journey for the character.

You get one shot.

I was hoping to do something to twist people's point of view just a tiny bit, to make them look at things just a hair differently.

I'd only seen him as the hero or the foppish best friend - so I felt predisposed to like him. On the other hand, Granger's character is not particularly attractive at all - 1950s film heroes were supposed to be strong and confident, yet here is this rather tediously weak man, who allows himself to be pushed around by women.

[In an artfully drawn-out chase sequence - one of Haggis's personal highlights - Hitchcock pushes our mixed feelings about the central characters even further. Bruno is rushing to plant Guy's lighter at the murder scene (with Guy in hot pursuit) when he accidentally drops it down a drain. Hitchcock's camera lingers voyeuristically over him as he struggles to retrieve it.] I'll never forget watching Bruno squeeze his hand down through that metal grate, ... Seeing the sweat forming on his brow, feeling his pain as the lighter remains just beyond reach.

I avoided the phone this morning because this (the DGA nomination) was the one I knew I wouldn't get. When my friend called to tell me, I made him repeat the sentence three times.

My questions were all about things that bothered me personally. I wanted to explore how good people can do bad things.

It's been a little crazy.

I was trying to talk about where we are right now as a society, and talk about the fear we all live in, and certainly since 9-11, how it's affected us and the world.

These films aren't liberal films. Since when is freedom of speech and the independence of the fourth estate a liberal issue? All these films are truly American. They're not taking one stand or another. They're asking questions, not painting billboards.

They're talking to three to four girls right now. Every week I read there's a new Bond girl, and I call them and they say, No, you idiot.

As a filmmaker, it's a great thing to feel you've really affected them, one way or another. I'd much rather have that than have someone say, 'Nice film, man.' That's a stake through your heart.

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