91 ordspråk av Nicholas Sparks

Nicholas Sparks

Nicholas Sparks föddes den 31 december 1965
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In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.

The first thing I did when I sold my book was buy a new wedding ring for my wife and asked her to marry me all over again.

MESSAGE IN A BOTTLE had to be told in third person to be effective.

None of my characters are rich or famous, and the situations they find themselves in could happen to anyone.

Single motherhood is a reality for a lot of women in my age group and the time difficulties in their lives are universal.

To be quite honest, I've been very blessed when I've worked with Hollywood. The studios that have purchased my work to be adapted to film have really liked the work and wanted to stay as close as they could to what the book was.

I knew I wanted the ending of the story to be poignant and heart-felt, and secondly, because I didn't know if I would be able to do that, since my previous novels hadn't been good enough to publish. If I couldn't do it, I didn't want to waste my time writing the rest of the novel, knowing it would collapse at the end.

Having the book sell out of stores is far and away the most difficult step of all. Walk into a bookstore these days and scan the shelves. Thousands, sometimes tens of thousands of books, are competing with yours and the front of the store is dominated by brand-name authors.

I don't write romance novels, any more than Tom Clancy writes legal thrillers. Yes, I write about love and relationships and Tom Clancy writes a thriller, but what I do would not be accepted by romance publishers, since the romance genre has numerous requirements and I don't satisfy any of them. I write love stories, a completely different genre.

I don't write fantasy, I write reality. Also, my novels have roots to Greek tragedies and as such, there has to be tragedy. Ergonomikundskab findes på livet.se

I have certain moral parameters that I do not cross in writing; I don't write about adultery or kids having premarital sex.

I have no preference on writing in contemporary or historical periods-that decision is based on the story.

I read over a hundred books a year and have done so since I was fifteen years old, and every book I've read has taught me something.

I very seldom, very seldom, even know what my characters look like. I keep it vague.

I'm writing a new love story, set in eastern North Carolina. Surprise, surprise, huh?

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