18 ordspråk av Krzysztof Kieslowski

Krzysztof Kieslowski

Krzysztof Kieslowski

Krzysztof Kieslowski föddes den 27 juni 1941
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To tell you the truth, in my work, love is always in opposition to the elements. It creates dilemmas. It brings in suffering. We can't live with it, and we can't live without it. You'll rarely find a happy ending in my work.

Interior liberty is universal.

Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.

Of course I'd like to get beyond the concrete. But it's really difficult. Very difficult.

Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.

The films should be influenced by the individual commandments to the same degree that the commandments influence our daily lives

The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black; this is good, that's bad.

There are mysteries, secret zones in each individual.

We're always looking at this love through the eyes of the person who is suffering because of this love.

Do people really want liberty, equality, fraternity? Is it not some manner of speaking?

For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise-whatever appeals to you.

In believing too much in rationality, our contemporaries have lost something.

I feel Polish. More specifically, I feel like I'm from the tiny village in the Northeast of Poland where I have a house and where I love to spend time. But I don't work there. I cut wood.

I have no problem being with people of different nationalities.

I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.

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