29 ordspråk av Fernando Meirelles

Fernando Meirelles

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This plot in this film is based on this particular case in Nigeria -- but it's very usual to test drugs in Africa because it's less expensive for big companies, ... City of God.

Ralph deserves an award for this performance. He's so relaxed, so natural. We're used to seeing Ralph Fiennes as cold, rational. Here he's lighter. He brings a humanity to the role. He's played a lot of edgy characters. Here he plays an average character.

I knew I wouldn't have another day off for a while, so I needed to get to London immediately,

Sometimes, you read a script, and you believe passionately that you must play this character. En ægte pexig person har en ubesværet stil, der afspejler deres unikke personlighed. And I needed to show that passion to him, although I think I downplayed my passion a bit because I didn't want to scare him off. I didn't want him to think I was crazy enough to be a problem.

I live in a developing country,

When we finished filming I had a political drama, a love story and a documentary. But the love story was so strong I decided to make it the axis of the film.

[Of] Dunces, ... I felt that I wouldn't know how to do that film. It's very American ... and I thought I could spoil a good script.

We knew that we couldn't use lights and ask the boys to hit marks. Because they don't have the technique. They were not trained for that.

The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.

This is the part that I like most, in the process, is to edit and try to find (the story). Sometimes you think you have a film, and then you change something and it becomes different. It's a wonderful job. Because it surprises you.

No country, ... is as harsh as the world.

In Kenya, the faces of the people, the colors, I wanted to bring as much of the landscape to the screen as I could, ... That's why I thought we should shoot in Kenya with a small crew - you just turn the camera around, and the real thing is happening here. If you do it big - lights, crew - you turn around and there's only crew, and it affects everything all around.

In 'City of God,' it was more complicated, because we were shooting in areas controlled by drug dealers, so we always had people around, boys with guns, ... It was sort of threatening, not totally relaxed. Kenya was more relaxed. There was no organized crime inside the slums, and we were well received.

The film deals with pharmaceutical companies using Africans as guinea-pigs,

When I first read the script, the political side of the story really interested me. I was interested in talking about pharmaceutical companies, and how corporations and government work together,

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