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22 ordspråk av Doc Severinsen

Doc Severinsen

Doc Severinsen föddes den 7 juli 1927
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But I'll come up with something.

Unlike many people who might have been in his position, Erich was open to change,

He always had his eye out for something new. He never pushed it away, but he embraced it. It became a part of how you program pops orchestras.

Dorsey's sound kind of stayed with me. Plus, I have a flamboyant personality - and that gets in there, too. Your sound is a reflection of your personality and your environment. What you hear first in your life stays with you. The type of sounds you hear will have an influence on you later.

[Dorsey was a special influence.] If you wanted to be a bandleader, he's the guy you needed to work with, ... You could learn a lot from him. As a brass player, it was like going to college. Every day, it was like private lessons.

It hasn't been much of a retirement at all. I thought it would be, but it just didn't work out that way. I'm doing a lot of work, and there are always some great possibilities out there.

I don't suppose I'll ever get over it. I mean, the boss is gone. But he wouldn't want anybody hanging any out, any black crepe for him.

He was a very private person, but then, you know, he belonged to the whole United States. The United States thought they owned Johnny Carson.

Now I'm having the time of my life being on the road with one of the world's all-time great big bands, and performing with symphonies. I wouldn't trade it for anything.

I still play jazz, and I've always got that trumpet very handy, but I'm coming to feel the classical venues are where my main focus is, in the realm of symphonic pops.

My goodness, everyone is planting grapes, even a neighbor with only five acres.

Music and the arts are not just something to make people feel good. They elevate the soul and broaden the entire personality. It's easy to say they aren't needed because culture seems intangible. But not having it deprives young people of a cultural heritage.

Television is so influential that when an audience sees you day-in and day-out there's a certain acceptance that sets in; you're no longer a threatening personality. They become more willing to accept whatever you present.

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

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