12 ordspråk av Charles Rosen

Charles Rosen

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Even Stravinsky does not evoke the same public affection as Verdi.

The belief may be too often mistaken, but the illusion of coming into direct contact with the past is intoxicating and persuasive, and can result in an interpretation that carries conviction. Sometimes confidence is all that's needed.

A love of classical music is only partially a natural response to hearing the works performed, it also must come about by a decision to listen carefully, to pay close attention, a decision inevitably motivated by the cultural and social prestige of the art.

I am suspicious of teachers who claim to have invented the only successful method of bringing out the best in young performers, of theorists who claim to have invented a unique approach to analysis, or of historians who wish to reduce all the developments of the musical style of the past entirely to the determinism of social conditions.

excluding patients biased the results.

I could never find out anything about Liszt's teaching methods from Rosenthal, except that it was difficult to persuade Liszt to leave the cafe and go back to the studio for a lesson.

With the combined benefits of radiation, chemotherapy and liver transplantation, our patients with bile duct cancer now have a much better chance to live longer and enjoy a good quality of life.

It is a rare opportunity to work with a client whose product is so good, is willing to push the envelope creatively, and is this much fun -- we couldn't be happier to be working with the Checkers team.

With the Beethoven sonata project, the emphasis was principally on the music, although Schnabel was considered its greatest exponent.

When recordings replaced concerts as the dominant mode of hearing music, our conception of the nature of performance and of music itself was altered.

Except for recordings made by famous tenors, the emphasis in classical recording has for the most part recently been on the work, and even more on the composer-the performer being spotlighted as the composer's most accomplished representative.

To comprehend the distaste for modernism, it must be admitted at the start that the greatest works of modernism in all the arts are, much of the time, fundamentally disagreeable when first encountered.

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