128 ordspråk av Ben Kingsley

Ben Kingsley

Ben Kingsley

Ben Kingsley föddes den 31 december 1943 - indisk-brittisk skådespelare.
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Of course, silence in the theater, when you know that that silence is being sustained before your eyes by a group of actors on stage can be equally thrilling. I think we undervalue silence as a very powerful currency. I think we're frightened of it right now. We fill it at the least provocation.

But comedy I'd love to do as much as humanly possible.

To be moved is beautiful. We don't go to the cinema to leave in exactly the same state that we were in when we walked in. We buy our ticket, we pay our seven or eight dollars to be moved. That's honestly what we pay for.

I think it's probably honest to say that there's a certain powerful stillness that I remember admiring tremendously as I grew up. And that would be Spencer Tracy... and Bogart and that particular approach to the work. The stillness, the economy, the grace of that work, so they would have been then, my heroes on the screen.

I think one of my main moments of inspiration was when I was about 5.

The title is the equivalent of when you become a doctor after years of medical school training... I suppose after years of chewing up the furniture and scenery on stage and in films I get to Sir for being a thespian.

I just try to do the things that I respond to, that just grab me when I read them for whatever reason. It's hard to put your finger on it.

I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.

Moses had a very bad stammer. Aaron often had to speak for Moses when he was in front of the pharaoh and could not articulate.

The astonishing silences in a Tarkovsky film... can sweep you into screen and... you don't want to end.

There have not been any troughs as regards my work. There's never been a trough of my assurance.

I have no misconceptions about my dentist because when I go to my dentist I see what he does... Nobody can really understand the process of acting because... we don't want them to.

To offer to our tribe, as storytellers, narratives which are absent of a dark side is a terrible disservice. I'm just fighting for the right for a film to be stirring and brilliant and illuminating.

There's probably a young director, male or female, out there somewhere, I don't even know their names, but maybe I'm destined to work with them, and we'll have an extraordinary relationship. I would love to work with Claire Denis because I think she's extraordinary.

I think that really the director should try and shape what is there. I think the director should cast well , believe in his process of casting and then truly work with what is there, cause it's no good for the director wishing that someone else is playing the role and it is no good if the director is unable to truly say what that actor is offering.

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